Williams Institute Reading Room: Lesbian, Gay, Bisexual and Transgender Resources in Law and Public Policy: Science, Social Science & Arts

Part coming-of-age story, part psychological thriller, part philosophical investigation, this unforgettable memoir traces the ramifications of a series of lies that threaten to derail the author's life--exploring the line between truth and deception, fact and fiction, and reality and conspiracy. Sarah's story begins as she's researching what she believes will be a book about her high school philosophy teacher, a charismatic instructor who taught her and her classmates to question everything--in the end, even the reality of historical atrocities. As she digs into the effects of his teachings, her life takes a turn into the fantastical when her wife, Marta, is notified that she's been investigated for sexual misconduct at the university where they both teach. Based in part on a viral New York Times essay, To Name the Bigger Lie follows the investigation as it upends Sarah's understanding of truth. She knows the claims made against Marta must be lies, and as she uncovers the identity of the person behind them and then tries, with increasing desperation, to prove their innocence, she's drawn back into the questions that her teacher inspired all those years ago: about the nature of truth, the value of skepticism, and the stakes we all have in getting the story right. A compelling, incisive journey into honesty and betrayal, this memoir explores the powerful pull of dangerous conspiracy theories and the pliability of personal narratives in a world dominated by hoaxes and fakes. To Name the Bigger Lie reads like the best of psychological thrillers--made all the more riveting because it's true.

What happens when we imagine loving the people-and the parts of ourselves-that we do not believe are worthy of love? Kai Cheng Thom grew up a Chinese Canadian transgender girl in a hostile world. As an activist, psychotherapist, conflict mediator, and spiritual healer, she's always pursued the same deeply personal mission- to embrace the revolutionary belief that every human being, no matter how hateful or horrible, is intrinsically sacred. But then Kai Cheng found herself in a crisis of faith, overwhelmed by the viciousness with which people treated one another, and barely clinging to the values and ideals she'd built her life around- justice, hope, love, and healing. Rather than succumb to despair and cynicism, she gathered all her rage and grief and took one last leap of faith- she wrote. Whether prayers or spells or poems-and whether there's a difference-she wrote to affirm the outcasts and runaways she calls her kin. She wrote to flawed but nonetheless lovable men, to people with good intentions who harm their own, to racists and transphobes seemingly beyond saving. What emerged was a blueprint for falling back in love with being human.

Scholarship on artistic output during second wave feminism (SWF) primarily reflects art-genres such as visual art, performance art, literature, and poetry. In The Women's Music Movement: Music as Feminist Praxis, 1973-1980, Paul Ambrose Shaw III contends the women's music movement (WMM) was a vibrant locus of feminist activity during SWF but received comparatively less scholarly attention. Specifically, Shaw conducts a content analysis of five songs recorded between 1973 and 1980. As such, he draws on musical elements and structures, poetic and lyrical devices, personal insights from the artists, and feminist theory to explore the following important questions: What can we learn about second wave feminist movement through the lens of the women's music movement? Was the women's music movement, as some scholars and activists assert, simply a cultural and lifestyle movement, or an impactful locus of feminist praxis? Through a detailed analysis of five songs recorded by stalwarts of WMM--Meg Christian, Cris Williamson, Ferron, Holly Near, and Linda Tillery--Shaw argues for the importance of WMM as a vibrant center of struggle, growth, and creativity that serves as a model for modern social movement cultural activity.
*Also available online (UC users only)

From the beloved host of NPR's All Things Considered, a stirring memoir-in-essays that is also a love letter to journalism. In his first book, broadcaster Ari Shapiro takes us around the globe to reveal the stories behind narratives that are sometimes heartwarming, sometimes heartbreaking, but always poignant. He details his time traveling on Air Force One with President Obama, or following the path of Syrian refugees fleeing war, or learning from those fighting for social justice both at home and abroad. As the self-reinforcing bubbles we live in become more impenetrable, Ari Shapiro keeps seeking ways to help people listen to one another; to find connection and commonality with those who may seem different; to remind us that, before religion, or nationality, or politics, we are all human. The Best Strangers in the World is a testament to one journalist's passion for Considering All Things--and sharing what he finds with the rest of us.

For readers of Saidiya Hartman and Jeanette Winterson, Lesbian Love Story is an intimate journey into the archives--uncovering the romances and role models written out of history and what their stories can teach us all about how to love. When Amelia Possanza moved to Brooklyn to build a life of her own, she found herself surrounded by queer stories: she read them on landmark placards, overheard them on the pool deck when she joined the world's largest LGBTQ swim team, and even watched them on TV in her cockroach-infested apartment. These stories inspired her to seek out lesbians throughout history who could become her role models, in romance and in life. Centered around seven love stories for the ages, this is Possanza's journey into the archives to recover the personal histories of lesbians in the twentieth century: who they were, how they loved, why their stories were destroyed, and where their memories echo and live on. Possanza's hunt takes readers from a drag king show in Bushwick to the home of activists in Harlem and then across the ocean to Hadrian's Library, where she searches for traces of Sappho in the ruins. Along the way, she discovers her own love--for swimming, for community, for New York City--and adds her record to the archive. At the heart of this riveting, inventive history, Possanza asks: How could lesbian love help us reimagine care and community? What would our world look like if we replaced its foundation of misogyny with something new, with something distinctly lesbian?
*Also available online (UC users only)

Communists in Closets: Queering the History 1930s-1990s explores the history of gay, lesbian, and non-heterosexual people in the Communist Party in the United States. The Communist Party banned lesbian, gay, bisexual, and transgender (LGBT) people from membership beginning in 1938 when it cast them off as "degenerates." It persisted in this policy until 1991. During this 60-year ban, gays and lesbians who did join the Communist Party were deeply closeted within it, as well as in their public lives as both queer and Communist. By the late 1930s, the Communist Party had a membership approaching 100,000 and tens of thousands more people moved in its orbit through the Popular Front against fascism, anti-racist organizing, especially in the south, and its widely read cultural magazine, The New Masses. Based on a decade of archival research, correspondence, and interviews, Bettina Aptheker explores this history, also pulling from her own experience as a closeted lesbian in the Communist Party in the 1960s and '70s. Ironically, and in spite of this homophobia, individual Communists laid some of the political and theoretical foundations for lesbian and gay liberation and women's liberation, and contributed significantly to peace, social justice, civil rights, and Black and Latinx liberation movements.
*Also available online (UCLA users only)

The novel Jonny Appleseed established Joshua Whitehead as one of the most exciting and important new literary voices on Turtle Island, winning both a Lambda Literary Award and Canada Reads 2021. In Making Love with the Land, his first nonfiction book, Whitehead explores the relationships between body, language, and land through creative essay, memoir, and confession. In prose that is evocative and sensual, unabashedly queer and visceral, raw and autobiographical, Whitehead writes of an Indigenous body in pain, coping with trauma. Deeply rooted within, he reaches across the anguish to create a new form of storytelling he calls "biostory"--beyond genre, and entirely sovereign. Through this narrative perspective, Making Love with the Land recasts mental health struggles and our complex emotional landscapes from a nefarious parasite on his (and our) well-being to kin, even a relation, no matter what difficulties they present to us. Whitehead ruminates on loss and pain without shame or ridicule but rather highlights waypoints for personal transformation. Written in the aftermath of heartbreak, before and during the pandemic, Making Love with the Land illuminates this present moment in which both Indigenous and non-Indigenous people are rediscovering old ways and creating new ones about connection with and responsibility toward each other and the land. Intellectually audacious and emotionally compelling, Whitehead shares his devotion to the world in which we live and brilliantly--even joyfully--maps his experience on the land that has shaped stories, histories, and bodies from time immemorial.
*Also available online (audiobook; UCLA only)

Featuring 100 stunning color photographs of queer, interracial couples taken by a renowned photographer for the New York Times Magazine, Time, Rolling Stone, and more, this incredible photo and story collection depicts modern love and relationships in all their joy, vulnerability, and affection. Throughout 2020 and 2021, during a time of intense personal and political upheaval, artist, advocate, and photographer Ryan Pfluger set out to capture intimate images of queer, interracial couples, along with personal insight into their relationships in today's world. Featured together for the first time in Holding Space, this unique collection of modern love in its many forms across the spectrum of race, sexuality, and gender identity and gives space to these couples to share short, revealing stories about their relationships. The photos in this collection, and the people in them, can be startling in their openness, playful in their poses, and tender to their core. Pfluger has captured the magic, honesty, and beauty of love in today's queer culture. With a Foreword by Janicza Bravo and an essay by Brandon Kyle Goodman.
*Also available online (UCLA users only)

"You will never know how it feels to have brown skin and a Mexican name. You will never know what it is like to watch your mother struggle with white words." In this collection of prose pieces, author and scholar Emma Pérez explores the intersection of race, class, gender and sexuality. A Chicanx queer lesbian "who honors my mother and her plight within patriarchal institutions" that limit women's choices and opportunities, Pérez writes about issues-including sexual politics and power relations between Anglo and Hispanic men-that have impacted her Tejano family for generations. A historian by training, her work aims to decolonize the Southwest by uncovering voices from the past that validate multiple experiences. Essays reveal the influence of Gloria Anzaldúa's scholarship; recount the controversy surrounding artist Alma López's digital print, "Our Lady," in which the Virgin of Guadalupe appears in a provocative bikini; and evaluate interviews with 25 LGBTQ people in the El Paso/Ciudad Juárez area to expose life on the border as a queer of color. This collection also includes short fiction and an epistolary love poem to the first feminist of the Americas, Sor Juana Inés de la Cruz, or in this case, Sor Juanx. Bringing together the work of a noted Chicanx writer and academic, this volume reinforces the body of work by LGBTQ people of color dealing with racism and sexism, conquest and colonization, power and privilege, all with a particular emphasis on the Southwest borderlands.
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Full of intimate stories, from chasing down secret love affairs to battling body image and struggling with familial strife, Pageboy is a love letter to the power of being seen. With this evocative and lyrical debut, Oscar-nominated star Elliot Page captures the universal human experience of searching for ourselves and our place in this complicated world. "Can I kiss you?" It was two months before the world premiere of Juno, and Elliot Page was in his first ever queer bar. The hot summer air hung heavy around him as he looked at her. And then it happened. In front of everyone. A previously unfathomable experience. Here he was on the precipice of discovering himself as a queer person, as a trans person. Getting closer to his desires, his dreams, himself, without the repression he'd carried for so long. But for Elliot, two steps forward had always come with one step back. With Juno's massive success, Elliot became one of the world's most beloved actors. His dreams were coming true, but the pressure to perform suffocated him. He was forced to play the part of the glossy young starlet, a role that made his skin crawl, on and off set. The career that had been an escape out of his reality and into a world of imagination was suddenly a nightmare. As he navigated criticism and abuse from some of the most powerful people in Hollywood, a past that snapped at his heels, and a society dead set on forcing him into a binary, Elliot often stayed silent, unsure of what to do. Until enough was enough. The Oscar-nominated star who captivated the world with his performance in Juno finally shares his story in a groundbreaking and inspiring memoir about love, family, fame -- and stepping into who we truly are with strength, joy and connection.

Part working-class memoir and part documentary history, L.A. Interchanges follows Lydia Otero as they move from the homes of family members, dancefloors, work sites, and Los Angeles's organizing spaces in search of brown and queer belonging. Through photographs, archival documents, and compelling storytelling, Otero weaves a gripping, passionate narrative of personal becoming amid the political and cultural currents of 1980s Los Angeles.Grounded in the philosophy that the personal is political, Otero portrays fellow organizers as strategists exploring previously unimagined avenues to address the needs of brown queers. The book traces Otero's transformations and blossoming sense of self, which often felt constrained by the binary gender assignments of the time, while it tells a documentary history of Lesbians of Color, Gay and Lesbian Latinos Unidos (GLLU), Lesbianas Unidas (LU) and Bienestar: A Gay Latino AIDS Project-groups central to the city's burgeoning queer, brown, and activist scene. Otero's parallel story of becoming an electrician offers a unique vantage point of a city in the midst of restructuring, as Otero's labor contributed to building some of the most iconic structures in Los Angeles, such as the U.S. Bank Tower, Universal Studios' CityWalk, and the Metro Rail.
*See also Otero's 2019 memoir, In the Shadows of the Freeway: Growing Up Brown and Queer.

A fascinating tour of creatures from the surface to the deepest ocean floor: this "miraculous, transcendental book" invites us to envision wilder, grander, and more abundant possibilities for the way we live (Ed Yong, author of An Immense World). A queer, mixed race writer working in a largely white, male field, science and conservation journalist Sabrina Imbler has always been drawn to the mystery of life in the sea, and particularly to creatures living in hostile or remote environments. Each essay in their debut collection profiles one such creature, including: the mother octopus who starves herself while watching over her eggs, the Chinese sturgeon whose migration route has been decimated by pollution and dams, the bizarre, predatory Bobbitt worm (named after Lorena), the common goldfish that flourishes in the wild, and more. Imbler discovers that some of the most radical models of family, community, and care can be found in the sea, from gelatinous chains that are both individual organisms and colonies of clones to deep-sea crabs that have no need for the sun, nourished instead by the chemicals and heat throbbing from the core of the Earth. Exploring themes of adaptation, survival, sexuality, and care, and weaving the wonders of marine biology with stories of their own family, relationships, and coming of age, How Far the Light Reaches is a shimmering, otherworldly debut that attunes us to new visions of our world and its miracles.

Plain tells the story of Mary Alice Hostetter's journey to define an authentic self amid a rigid religious upbringing in a Mennonite farm family. Although endowed with a personality "prone toward questioning and challenging," the young Mary Alice at first wants nothing more than to be a good girl, to do her share, and--alongside her eleven siblings--to work her family's Lancaster County, Pennsylvania, farm. She feels fortunate to have been born into a religion where, as the familiar hymn states, she is "safe in the arms of Jesus." As an adolescent, that keen desire for belonging becomes focused on her worldly peers, even though she knows that Mennonites consider themselves a people apart. Eventually she leaves behind the fields and fences of her youth, thinking she will finally be able to grow beyond the prohibitions of her church. Discovering and accepting her sexuality, she once again finds herself apart, on the outside of family, community, and societal norms. This quietly powerful memoir of longing and acceptance casts a humanizing eye on a little-understood American religious tradition and a woman's striving to grow within and beyond it.

Combining feminist theories, X-Files fandom, and memoir, Enjoy Me among My Ruins draws together a kaleidoscopic archive of Juniper Fitzgerald's experiences as a queer sex-working mother. Plumbing the major events that shaped her life, and interspersing her childhood letters written to cult icon Gillian Anderson, this experimental manifesto contends with dominant narratives placed upon marginalized people, ultimately rejecting a capitalist system that demands our purity and submission over our survival.

Over the past thirty years, queer women have been coming out of the media closet to enter the mainstream consciousness. This book explores the rise of lesbian visibility since the 1990s with in-depth historical analyses of representation in sports, music, photography, comics, television and cinema. Each chapter is complemented by an interview: soccer player and coach Saskia Webber, singer-songwriter Gretchen Phillips, photographer Lola Flash, cartoonist Alison Bechdel and filmmakers Jamie Babbit and Anna Margarita Albelo discuss the societal transformations that shaped their careers. From the "riot grrrl" movement of the early 1990s punk scene to screen representations of queer culture (The L Word, Orange Is the New Black), this book discusses how lesbian presence successfully infiltrated several patriarchal strongholds, and was transformed in return.

Featuring deep dives into thirst traps, drag queens, Antonio Banderas, and telenovelas--all in the service of helping us reframe how we talk about (desiring) men--this insightful memoir-in-essays is as much a coming of age as a coming out book Manuel Betancourt has long lustfully coveted masculinity--in part because he so lacked it. As a child in Bogotá, Colombia, he grew up with the social pressure to appear strong, manly, and, ultimately, straight. And yet in the films and television he avidly watched, Betancourt saw glimmers of different possibilities. From the stars of telenovelas and the princes of Disney films to pop sensation Ricky Martin and teen heartthrobs in shows like Saved By the Bell, he continually found himself asking: Do I want him or do I want to be him? The Male Gazed grapples with the thrall of masculinity, examining its frailty and its attendant anxieties even as it focuses on its erotic potential. Masculinity, Betancourt suggests, isn't suddenly ripe for deconstruction--or even outright destruction--amid so much talk about its inherent toxicity. Looking back over decades' worth of pop culture's attempts to codify and reframe what men can be, wear, do, and desire, this book establishes that to gaze at men is still a subversive act. Written in the spirit of Hanif Abdurraqib and Olivia Laing, The Male Gazed mingles personal anecdotes with cultural criticism to offer an exploration of intimacy, homoeroticism, and the danger of internalizing too many toxic ideas about masculinity as a gay man.
*Also available online (UC users only)

A Queer Way of Feeling gathers an unexplored archive of fan-made scrapbooks, letters, diaries, and photographs to explore how girls coming of age in the United States in the 1910s used cinema to forge a foundational language of female nonconformity, intimacy, and kinship. Pasting cross-dressed photos into personal scrapbooks and making love to movie actresses in epistolary writing, girl fans from all walks of life stitched together established homoerotic conventions with an emergent syntax of film stardom to make sense of feeling "queer" or "different from the norm." These material testimonies show how a forgotten audience engendered terminologies, communities, and creative practices that became cornerstones of media fan reception and queer belonging.
*Available online (UC users only)

This original collection of essays explores the work and life choices of Spanish women who through their writings and social activism addressed social justice, religious dogmatism, the educational system, gender inequality, and tensions in female subjectivity. It brings together writers who are not commonly associated with each other, but whose voices overlap, allowing us to foreground their unconventionality, their relationships to each other, and their relation to modernity. The objective of this volume is to explore how the idea of "queerness" played an important role in the personal lives and social activism of these writers, as well as in the unconventional and nonconformist characters they created in their work. Together, the essays demonstrate that the concept of "queer women" is useful for investigating the evolution of women's writing and sexual identity during the period of Spain's fitful transition to modernity in the 19th century. In addition to exploring the significant presence of queer women in Nineteenth and Twentieth Century Spanish literature and culture, the essays examine the reasons why the voices of Spanish women authors have been culturally silenced. One thrust in this collection explores generational transitions of Spanish writers from the romantics and their "hermandad lírica" ("lyrical sisterhood") through to "las Sinsombrero" ("Women Without Hats"), and finally, current Spanish writers linked to the LGBTQ+ community

A key figure in contemporary speculative fiction, Jamaican-born Canadian Nalo Hopkinson (b. 1960) is the first Black queer woman as well as the youngest person to be named a "Grand Master" of Science Fiction. Her Caribbean-inspired narratives-Brown Girl in the Ring, Midnight Robber, The Salt Roads, The New Moon's Arms, The Chaos, and Sister Mine-project complex futures and complex identities for people of color in terms of race, sex, and gender. Hopkinson has always had a vested interest in expanding racial and ethnic diversity in all facets of speculative fiction from its writers to its readers, and this desire is reflected in her award-winning anthologies. Her work best represents the current and ongoing colored wave of science fiction in the twenty-first century. In twenty-one interviews ranging from 1999 until 2021, Conversations with Nalo Hopkinson reveals a writer of fierce intelligence and humor in love with ideas and concerned with issues of identity. She provides powerful insights on code-switching, race, Afrofuturism, queer identities, sexuality, Caribbean folklore, and postcolonial science fictions, among other things. As a result, the conversations presented here very much demonstrate the uniqueness of her mind and her influence as a writer.

This ground-breaking anthology features the compelling and courageous memoirs of eighteen queer Arab writers – some internationally bestselling, others using pseudonyms. Here, we find heart-warming connections and moments of celebration alongside essays exploring the challenges of being LGBTQ+ and Arab.
From a military base in the Gulf to loving whispers caught between the bedsheets; and from touring overseas as a drag queen to a concert in Cairo where the rainbow flag was raised to a crowd of thousands, this collection celebrates the true colours of a vibrant Arab queer experience.

A queer hijabi Muslim immigrant survives her coming-of-age by drawing strength and hope from stories in the Quran in this daring, provocative, and radically hopeful memoir. When fourteen-year-old Lamya H realizes she has a crush on her teacher--her female teacher--she covers up her attraction, an attraction she can't yet name, by playing up her roles as overachiever and class clown. Born in South Asia, she moved to the Middle East at a young age and has spent years feeling out of place, like her own desires and dreams don't matter, and it's easier to hide in plain sight. To disappear. But one day in Quran class, she reads a passage about Maryam that changes everything: when Maryam learned that she was pregnant, she insisted no man had touched her. Could Maryam, uninterested in men, be like Lamya? From that moment on, Lamya makes sense of her struggles and triumphs by comparing her experiences with some of the most famous stories in the Quran. She juxtaposes her coming out with Musa liberating his people from the pharoah; asks if Allah, who is neither male nor female, might instead be nonbinary; and, drawing on the faith and hope Nuh needed to construct his ark, begins to build a life of her own--ultimately finding that the answer to her lifelong quest for community and belonging lies in owning her identity as a queer, devout Muslim immigrant. This searingly intimate memoir in essays, spanning Lamya's childhood to her arrival in the United States for college through early-adult life in New York City, tells a universal story of courage, trust, and love, celebrating what it means to be a seeker and an architect of one's own life.
*Available online (UCLA only)

Acclaimed poet Hafizah Augustus Geter reclaims her origin story in this "lyrical memoir" (The New Yorker)--combining biting criticism and haunting visuals. "Hafizah Augustus Geter is a genuine artist, not bound by genre or form. Her only loyalty is the harrowing beauty of the truth."--Tayari Jones, author of An American Marriage
"I say, 'the Black Period,' and mean 'home' in all its shapeshifting ways." A book of great hope, Hafizah Augustus Geter's The Black Period creates a map for how to survive: a country, a closet, a mother's death, and the terror of becoming who we are in a world not built to accommodate diverse identities. At nineteen, she suddenly lost her mother to a stroke. Weeks later, her father became so heartsick that he needed a triple bypass. Amid the crumbling of her world, Hafizah struggled to know how to mourn a Muslim woman in a freshly post-9/11 America. Weaving through a childhood populated with southern and Nigerian relatives, her days in a small Catholic school, and learning to accept her own sexuality, and in the face of a chronic pain disability that sends her pinballing through the grind that is the American Dream, Hafizah discovers that grief is a political condition. In confronting the many layers of existence that the world tries to deny, it becomes clear that in order to emerge from erasure, she must map out her own narrative. Through a unique combination of gripping memoir, history, political analysis, cultural criticism, and Afrofuturist thought--alongside stunning original artwork created by her father, renowned artist Tyrone Geter--Hafizah leans into her parents' lessons on the art of Black revision to create a space for the beauty of Blackness, Islam, disability, and queerness to flourish. As exquisitely told as it is innovative, and with a lyricism that dazzles, The Black Period is a reminder that joy and tenderness require courage, too.
*Available online (UCLA users only)

After immigrating from Jamaica to the United States, Prince Shakur's family is rocked by the murder of Prince's biological father in 1995. Behind the murder is a sordid family truth, scripted in the lines of a diary by an outlawed uncle hell-bent on avenging the murder of Prince's father. As Shakur begins to unravel his family's secrets, he must navigate the strenuous terrain of coming to terms with one's inner self while confronting the steeped complexities of the Afro-diaspora. When They Tell You to Be Good charts Shakur's political coming of age from closeted queer kid in a Jamaican family to radicalized adult traveler, writer, and anarchist in Obama and Trump's America. Shakur journeys from France to the Philippines, South Korea, and elsewhere to discover the depths of the Black experience, and engages in deep political questions while participating in movements like Black Lives Matter and Standing Rock. By the end, Shakur reckons with his identity, his family's immigration, and the intergenerational impacts of patriarchal and colonial violence. Examining a tangled web of race, trauma, and memory, When They Tell You to Be Good shines a light on what we all must ask of ourselves--to be more than what America envisions for the oppressed--as Shakur compels readers to take a closer, deeper look at the political world of young, Black, queer, and radical millennials today.

Defying expectations of a woman growing up in Arizona in the 1960s, Patricia Grayhall fled Phoenix at nineteen for the vibrant streets of San Francisco, determined to finally come out as a lesbian after years of trying to be a "normal" girl. Her dream of becoming a physician drew her back to college, and then on to medical school in conservative Salt Lake City. Though Patricia enjoyed a supportive friendship with a male colleague, she longed for an equal, loving relationship with a woman. But her graduate medical training in Boston, with its emotional demands, long hours, lack of sleep, and social isolation, compounded by the free-wheeling sexual revolution of the 1970s, made finding that special relationship difficult. Often disappointed but never defeated, Patricia--armed with wit and determination--battled on against sexism in her male-dominated profession and against discrimination in a still largely homophobic nation, plunging herself into a life that was never boring and certainly never without passion. A chronicle of coming of age during second-wave feminism and striving to have both love and career as a gay medical doctor, Making the Rounds is a well-paced and deeply humanizing memoir of what it means to seek belonging and love--and to find them, in the most surprising ways.

Moon in Full, a contemporary coming-of-age story shines light on the search for truth and compassion, and unwinds the deep-seated challenges of finding authentic voice and true identity in our complicated era. Author Marpheen Chann's journey weaves through housing projects and foster homes, into houses of worship and across college campuses, and plays out in working-class Maine, where he struggles to find his place in a majority white community and to reconcile his fears and longings as a young gay man with the devoutly religious beliefs of his adopted family. Chann, a second-generation Asian American, recounts what he has learned, what he has lost, and what he has found during his evolution from hungry refugee's son to religious youth to an advocate for acceptance and equality.

From LAMBDA Literary Award winner Sina Queyras, Rooms offers a peek into the defining spaces a young queer writer moved through as they found their way from a life of chaos to a life of the mind. Thirty years ago, a professor threw a chair at Sina Queyras after they'd turned in an essay on Virginia Woolf. Queyras returns to that contentious first encounter with Virginia Woolf to recover the body and thinking of that time. Using Woolf's A Room of One's Own as a touchstone, this book is both an homage to and provocation of the idea of a room of one's own at the centre of our idea of a literary life. How central is the room? And what happens once we get one? Do we inhabit our rooms? Or do the rooms contain us? Blending memoir, prose, tweets, poetry, and criticism, Rooms offers a peek into the defining spaces a young queer writer moved through as they found their way from a life of chaos to a life of the mind, and from a very private life of the mind to a public life of the page, and from a life of the page into a life in the Academy, the Internet, and on social media.

A powerful, personal critique of capitalist patriarchy as seen through the eyes of a queer radical. Capitalism has infiltrated every aspect of our personal, social, economic, and sexual lives. By examining the politics of gender, environment, and sexuality, we can see the ways straight, cis, white, and especially male upper-class people control and subvert the other - queer, non-binary, BIPOC, and female bodies - in order to keep the working lower classes divided. Patriarchy and classism are forms of systemic violence which ensure that the main commodity of capitalism - a large, disposable, cheap, and ideally subjugated work force - is readily available. There is a lot wrong with the ways we live, work, and treat each other. In essays that are both accessible and inspiring, Lori Fox examines their confrontations with the capitalist patriarchy through their experiences as a queer, non-binary, working-class farm hand, labourer, bartender, bush-worker, and road dog, exploring the ugly places where issues of gender, sexuality, class, and the environment intersect. In applying the micro to the macro, demonstrating how the personal is political and vice versa, Fox exposes the flaws in believing that this is the only way our society can or should work. Brash, topical, and passionate, This Has Always Been a War is not only a collection of essays, but a series of dispatches from the combative front lines of our present-day culture.

Lars Horn's Voice of the Fish, the latest Graywolf Press Nonfiction Prize winner, is an interwoven essay collection that explores the trans experience through themes of water, fish, and mythology, set against the backdrop of travels in Russia and a debilitating back injury that left Horn temporarily unable to speak. In Horn's adept hands, the collection takes shape as a unified book: short vignettes about fish, reliquaries, and antiquities serve as interludes between longer essays, knitting together a sinuous, wave-like form that flows across the book. Horn swims through a range of subjects, roving across marine history, theology, questions of the body and gender, sexuality, transmasculinity, and illness. From Horn's upbringing with a mother who used them as a model in photos and art installations--memorably in a photography session in an ice bath with dead squid--to Horn's travels before they were out as trans, these essays are linked by a desire to interrogate liminal physicalities. Horn reexamines the oft-presumed uniformity of bodily experience, breaking down the implied singularity of "the body" as cultural and scientific object. The essays instead privilege ways of seeing and being that resist binaries, ways that falter, fracture, mutate. A sui generis work of nonfiction, Voice of the Fish blends the aquatic, mystical, and physical to reach a place beyond them all.

In Sissy Insurgencies Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how sissiness constitutes a historically fluid range of gender practices that are expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Whether examining Washington's practice of cleaning as an iteration of sissiness, Baldwin's self-fashioned sissy deportment, or sissiphobia in professional sports and black nationalism, Ross demonstrates that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy. In this way, sissiness constitutes a central element in modern understandings of race and gender.

In The Intersectional Other, Alex Rivera deconstructs the history of power in the United States, critiquing the white colonialism and heteronormativity evident in psychological and medical literature and rejecting the deficiencies projected onto queer Black, Indigenous, and Other People of Color (BIPOC). Rivera compels her readers to envision a world where Intersectional Others hold not just power, but the capacity to evoke societal transformations through creativity, self-love, and revolution. The Intersectional Other boldly reimagines the margins, creating a radical space for readers to de-vilify Otherness and conjure a better future.

An eye-opening exploration of the medical origins of gender in modern US history. Today, a world without "gender" is hard to imagine. Gender is at the center of contentious political and social debates, shapes policy decisions, and informs our everyday lives. Its formulation, however, is lesser known: Gender was first used in clinical practice. This book tells the story of the invention of gender in American medicine, detailing how it was shaped by mid-twentieth-century American notions of culture, personality, and social engineering. Sandra Eder shows how the concept of gender transformed from a pragmatic tool in the sex assignment of children with intersex traits in the 1950s to an essential category in clinics for transgender individuals in the 1960s. Following gender outside the clinic, she reconstructs the variable ways feminists integrated gender into their theories and practices in the 1970s. The process by which ideas about gender became medicalized, enforced, and popularized was messy, and the route by which gender came to be understood and applied through the treatment of patients with intersex traits was fraught and contested. In historicizing the emergence of the sex/gender binary, Eder reveals the role of medical practice in developing a transformative idea and the interdependence between practice and wider social norms that inform the attitudes of physicians and researchers. She shows that ideas like gender can take on a life of their own and may be used to question the normative perceptions they were based on. Illuminating and deeply researched, the book closes a notable gap in the history of gender and will inspire current debates on the relationship between social norms and medical practice.

In Feels Right Kemi Adeyemi presents an ethnography of how black queer women in Chicago use dance to assert their physical and affective rights to the city. Adeyemi stages the book in queer dance parties in gentrifying neighborhoods, where good feelings are good business. But feeling good is elusive for black queer women whose nightlives are undercut by white people, heterosexuality, neoliberal capitalism, burnout, and other buzzkills. Adeyemi documents how black queer women respond to these conditions: how they destroy DJ booths, argue with one another, dance slowly, and stop partying altogether. Their practices complicate our expectations that life at night, on the queer dance floor, or among black queer community simply feels good. Adeyemi's framework of "feeling right" instead offers a closer, kinesthetic look at how black queer women adroitly manage feeling itself as a complex right they should be afforded in cities that violently structure their movements and energies. What emerges in Feels Right is a sensorial portrait of the critical, black queer geographies and collectivities that emerge in social dance settings and in the broader neoliberal city. *Also available online (UC users only)

Shortlisted for the Pacific Northwest Book Awards. "A nuanced mediation on love, identity, and belonging. This story of survival radiates with resilience and hope." --Publishers Weekly (starred review) "This openhearted memoir . . . opens the door to include queer descendants of war survivors into the growing American library of love." --Sarah Schulman, author of Let the Record Show
When Putsata Reang was eleven months old, her family fled war-torn Cambodia, spending twenty-three days on an overcrowded navy vessel before finding sanctuary at an American naval base in the Philippines. Holding what appeared to be a lifeless baby in her arms, Ma resisted the captain's orders to throw her bundle overboard. Instead, on landing, Ma rushed her baby into the arms of American military nurses and doctors, who saved the child's life. "I had hope, just a little, you were still alive," Ma would tell Put in an oft-repeated story that became family legend. Over the years, Put lived to please Ma and make her proud, hustling to repay her life debt by becoming the consummate good Cambodian daughter, working steadfastly by Ma's side in the berry fields each summer and eventually building a successful career as an award-winning journalist. But Put's adoration and efforts are no match for Ma's expectations. When she comes out to Ma in her twenties, it's just a phase. When she fails to bring home a Khmer boyfriend, it's because she's not trying hard enough. When, at the age of forty, Put tells Ma she is finally getting married--to a woman--it breaks their bond in two. In her startling memoir, Reang explores the long legacy of inherited trauma and the crushing weight of cultural and filial duty. With rare clarity and lyric wisdom, Ma and Me is a stunning, deeply moving memoir about love, debt, and duty.

John D'Emilio is one of the leading historians of his generation and a pioneering figure in the field of LGBTQ history. At times his life has been seemingly at odds with his upbringing. How does a boy from an Italian immigrant family in which everyone unfailingly went to confession and Sunday Mass become a lapsed Catholic? How does a family who worshipped Senator Joseph McCarthy and supported Richard Nixon produce an antiwar activist and pacifist? How does a family in which the word divorce was never spoken raise a son who comes to explore the hidden gay sexual underworld of New York City? Memories of a Gay Catholic Boyhood is D'Emilio's coming-of-age story in which he takes readers from his working-class Bronx neighborhood to an elite Jesuit high school in Manhattan to Columbia University and the political and social upheavals of the late 1960s. He shares his personal experiences of growing up in a conservative, tight-knit, multigenerational family, how he went from considering entering the priesthood to losing his faith and coming to terms with his same-sex desires. Throughout, D'Emilio outlines his complicated relationship with his family while showing how his passion for activism influenced his decision to use research, writing, and teaching to build a strong LGBTQ movement. This is not just John D'Emilio's personal story; it opens a window into how the conformist baby boom decade of the 1950s transformed into the tumultuous years of radical social movements and widespread protest during the 1960s. It is the story of what happens when different cultures and values collide and the tensions and possibilities for personal discovery and growth that emerge. Intimate and honest, D'Emilio's story will resonate with anyone who has had to chart their own path in a world they did not expect to find.
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Running from 1990 to 1999, the annual OutWrite conference played a pivotal role in shaping LGBTQ literary culture in the United States and its emerging canon. OutWrite provided a space where literary lions who had made their reputations before the gay liberation movement--like Edward Albee, John Rechy, and Samuel R. Delany--could mingle, network, and flirt with a new generation of emerging queer writers like Tony Kushner, Alison Bechdel, and Sarah Schulman. This collection gives readers a taste of this fabulous moment in LGBTQ literary history with twenty-seven of the most memorable speeches from the OutWrite conference, including both keynote addresses and panel presentations. These talks are drawn from a diverse array of contributors, including Allen Ginsberg, Judy Grahn, Essex Hemphill, Patrick Califia, Dorothy Allison, Allan Gurganus, Chrystos, John Preston, Linda Villarosa, Edmund White, and many more. OutWrite offers readers a front-row seat to the passionate debates, nascent identity politics, and provocative ideas that helped animate queer intellectual and literary culture in the 1990s. Covering everything from racial representation to sexual politics, the still-relevant topics in these talks are sure to strike a chord with today's readers.

The contributors to this volume assert the importance of queer kinship to queer and trans theory and to kinship theory. In a contemporary moment marked by the rising tides of neoliberalism, fascism, xenophobia, and homo- and cis-nationalism, they approach kinship as both a horizon and a source of violence and possibility. The contributors challenge dominant theories of kinship that ignore the devastating impacts of chattel slavery, settler colonialism, and racialized nationalism on the bonds of Black and Indigenous people and people of color. Among other topics, they examine the "blood tie" as the legal marker of kin relations, the everyday experiences and memories of trans mothers and daughters in Istanbul, the outsourcing of reproductive labor in postcolonial India, kinship as a model of governance beyond the liberal state, and the intergenerational effects of the adoption of Indigenous children as a technology of settler colonialism. Queer Kinship pushes the methodological and theoretical underpinnings of queer theory forward while opening up new paths for studying kinship.
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In The Lives of Jessie Sampter, Sarah Imhoff tells the story of an individual full of contradictions. Jessie Sampter (1883-1938) was best known for her Course in Zionism (1915), an American primer for understanding support of a Jewish state in Palestine. In 1919, Sampter packed a trousseau, declared herself "married to Palestine," and immigrated there. Yet Sampter's own life and body hardly matched typical Zionist ideals. Although she identified with Judaism, Sampter took up and experimented with spiritual practices from various religions. While Zionism celebrated the strong and healthy body, she spoke of herself as "crippled" from polio and plagued by sickness her whole life. While Zionism applauded reproductive women's bodies, Sampter never married or bore children; in fact, she wrote of homoerotic longings and had same-sex relationships. By charting how Sampter's life did not neatly line up with her own religious and political ideals, Imhoff highlights the complicated and at times conflicting connections between the body, queerness, disability, religion, and nationalism.

H.D. & Bryher: An Untold Love Story of Modernism takes on the daring task of examining the connection between two queer women, one a poet and the other a historical novelist, living from the late 19th century through the 20th century. When they met in 1918, H.D. was a modernist poet, married to a shell-shocked adulterous poet, and pregnant by another man. She fell in love with Bryher, who was entrapped by her wealthy secretive family. Their bond grew over Greek poetry, geography, ancient history and literature, the telegraph, and telepathy. They felt their love-and their true identities existed invisibly- a giddy, and disturbing element to their relationship; they lived off and on in distant geographies, though in near continual contact. This book exposes why literary history has occluded this love story of the world wars and poetic modernism.

A madcap adventure through a tight-knit world of drag performers making art and mayhem in the greatest city on earth. Ten years ago, an aimless coat check girl better known today as Merrie Cherry sweet-talked her boss into giving her $100 to host a drag show at a Brooklyn dive bar. Soon, kids like Aja were kicking their way into the scene, sneaking into clubs, pocketing their tips to help mom pay the mortgage, and sharing the stage with electric performers like Thorgy Thor and Sasha Velour. Because suddenly, in the biggest, brightest city in America, drag was offering young, broke, creative queer people a chance at real money--and for thousands or even millions of people to learn their names. In How You Get Famous, journalist Nicole Pasulka joyfully documents the rebirth of the New York drag scene, following a group of iconoclastic performers with undeniable charisma, talent, and a hell of a lot to prove. The result is a sweeping portrait of the 21st-century search for celebrity and community, as well as a chronicle of all the struggles, fights, and disappointments along the way. A rollicking account of the quest to make a living through an art form on the cusp of becoming a cultural phenomenon, How You Get Famous offers an unmissable romp through the gritty and glamorous world of Brooklyn drag.
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In this unflinching and inspiring memoir, Jesus Leon tells an extraordinary story of resilience and survival, shining a light on a childhood spent devastated by sex trafficking, gang life, and substance abuse. Born to indigenous working-class Mexican immigrants in San Diego in the 1970s, Jesse Leon's childhood was violently ruptured. A dangerous and harrowing encounter at a local gift shop when he was eleven years old left Jesse with a deadly secret. Hurt, alone, and scared for his life, Jesse numbed his pain by losing himself in the hyper-masculine culture of the streets and wherever else he could find it--in alcohol, drugs, and prostitution. Overlooked by state-sanctioned institutions and systems intended to help victims of abuse, neglected like many other low-income Latinos, Jesse spiraled into cycles of suicide and substance abuse. I'm Not Broken is the heartbreaking and remarkable story of the journey Jesse takes to win back his life, leading him to the steps of Harvard University. From being the lone young person of color in Narcotics Anonymous meetings to coming to terms with his own sexual identity, to becoming an engaged mentor for incarcerated youth, Jesse finds the will to live with the love and support of his family, friends, and mentors. Recounting the extraordinary circumstances of his life, Jesse offers a powerful, raw testament to the possibilities of self-transformation and self-acceptance. Unforgettable, I'm Not Broken is an inspirational portrait of one young man's indomitable strength and spirit to survive--against all possible odds.

Harvey Fierstein's legendary career has transported him from community theater in Brooklyn, to the lights of Broadway, to the absurd excesses of Hollywood and back. He's received accolades and awards for acting in and/or writing an incredible string of hit plays, films, and TV shows: Hairspray, Fiddler on the Roof, Mrs. Doubtfire, Independence Day, Cheers, La Cage Aux Folles, Torch Song Trilogy, Newsies, and Kinky Boots. While he has never shied away from the spotlight, Mr. Fierstein says that even those closest to him have never heard most of the tales--of personal struggles and conflict, of sex and romance, of his fabled career--revealed in these wildly entertaining pages. I Was Better Last Night bares the inner life of this eccentric nonconforming child from his roots in 1952 Brooklyn, to the experimental worlds of Andy Warhol and the Theatre of the Ridiculous, to the gay rights movements of the seventies and the tumultuous AIDS crisis of the eighties, through decades of addiction, despair, and ultimate triumph. Mr. Fierstein's candid recollections provide a rich window into downtown New York City life, gay culture, and the evolution of theater (of which he has been a defining figure), as well as a moving account of his family's journey of acceptance. I Was Better Last Night is filled with wisdom gained, mistakes made, and stories that come together to describe an astonishingly colorful and meaningful life. Lucky for us all, his unique and recognizable voice is as engaging, outrageously funny, and vulnerable on the page.
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When Casey Parks came out as a lesbian in college back in 2002, she assumed her life in the South was over. Her mother shunned her, and her pastor asked God to kill her. But then Parks's grandmother, a stern conservative who grew up picking cotton, pulled her aside and revealed a startling secret. "I grew up across the street from a woman who lived as a man," and then implored Casey to find out what happened to him. Diary of a Misfit is the story of Parks's life-changing journey to unravel the mystery of Roy Hudgins, the small-town country singer from grandmother's youth, all the while confronting ghosts of her own. For ten years, Parks traveled back to rural Louisiana and knocked on strangers' doors, dug through nursing home records, and doggedly searched for Roy's own diaries, trying to uncover what Roy was like as a person--what he felt; what he thought; and how he grappled with his sense of otherness. With an enormous heart and an unstinting sense of vulnerability, Parks writes about finding oneself through someone else's story, and about forging connections across the gulfs that divide us.

Alan Turing was an extraordinary man who crammed into his 42 years the careers of mathematician, codebreaker, computer scientist and biologist. He is widely regarded as a war hero grossly mistreated by his unappreciative country, and it has become hard to disentangle the real man from the story. It is easy to cast him as a misfit, the stereotypical professor. But actually Alan Turing was never a professor, and his nickname 'Prof' was given by his codebreaking friends at Bletchley Park. Now Dermot Turing has taken a fresh look at the influences on his uncle's life and creativity, and the creation of a legend. He discloses the real character behind the cipher-text, answering questions that help the man emerge from his legacy: how did Alan's childhood experiences influence him? How did his creative ideas evolve? Was he really a solitary genius? What was his wartime work after 1942, and what of the Enigma story? What is the truth about the conviction for gross indecency, and did he commit suicide? In Alan Turing Decoded, Dermot's vibrant and entertaining approach to the life and work of a true genius makes this a fascinating and authoritative read.

A meditation on southwestern terrains, intergenerational queer dynamics, and surveilled brown artists that crosses physical and conceptual borders. Part butch memoir, part ekphrastic travel diary, part queer family tree, Raquel Gutiérrez's debut essay collection, Brown Neon, gleans insight from the sediment of land and relationships. For Gutiérrez, terrain is essential to understanding that no story, no matter how personal, is separate from the space where it unfolds. Whether contemplating the value of adobe as both vernacular architecture and commodified art object, highlighting the feminist wounding and transphobic apparitions haunting the multigenerational lesbian social fabric, or recalling a failed romance, Gutiérrez traverses complex questions of gender, class, identity, and citizenship with curiosity and nuance.
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A powerful and redemptive story of how the dazzling world of roller derby helped one young woman transform her fear and self-doubt into gutsy, big-hearted, adventurous living. Growing up queer in a conservative Midwestern town, Gabe Montesanti never felt comfortable in her own skin. A competitive swimmer, she turned to perfectionism and self-control to create a sense of safety, only to develop an eating disorder and constantly second-guess her instincts. When she enters graduate school in St. Louis, she is determined to put the baggage of her childhood behind her. With no prior experience, she joins Arch Rival, one of the top-ranked roller derby leagues in the world. Gabe instantly falls in love with the sport's roughness, intensity, and open embrace of people who are literally and figuratively scarred. She soon finds community and a sense of belonging, reveling in the tattoos, glitter, and campiness. But when Gabe suffers a catastrophic injury, she can no longer ignore the parallels between the physicality of roller derby and the unresolved trauma of her upbringing. Rendered inactive, forced to be still, Gabe realizes she needs to heal her emotional wounds as much as her physical ones; she must confront her fear and self-diminishment in order to feel truly alive. Told with unflinching honesty and a giant dose of wonder, Brace for Impact is a tender, inspiring memoir about the everyday heroism of pursuing a life less ordinary, and the deeply human need to be at peace with who you are.

When Neema Avashia tells people where she's from, their response is nearly always a disbelieving "There are Indian people in West Virginia?" A queer Asian American teacher and writer, Avashia fits few Appalachian stereotypes. But the lessons she learned in childhood about race and class, gender and sexuality continue to inform the way she moves through the world today: how she loves, how she teaches, how she advocates, how she struggles. Another Appalachia examines both the roots and the resonance of Avashia's identity as a queer desi Appalachian woman, while encouraging readers to envision more complex versions of both Appalachia and the nation as a whole. With lyric and narrative explorations of foodways, religion, sports, standards of beauty, social media, gun culture, and more, Another Appalachia mixes nostalgia and humor, sadness and sweetness, personal reflection and universal questions.
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Authored by one of the most respected figures in the field of personal ethnographic narrative, this book serves as both a memoir and a sociological study, telling the story of one lesbian couple's lifelong journey together. Are You Two Sisters? is Susan Krieger's candid, revealing, and engrossing memoir about the intimacies of a lesbian couple. Krieger explores how she and her partner confront both the inner challenges of their relationship and the invisibility of lesbian identity in the larger world. Using a lively novelistic and autoethnographic approach that toggles back and forth in time, Krieger reflects on the evolution of her forty-year relationship. She describes building a life together, from sharing pets and travels to getting married. Are You Two Sisters? addresses not only questions of gender and sexuality, but also of disability, as Krieger explores how the couple adapts to her increasing blindness. Krieger's title comes from a question asked by a stranger outside a remote desert bar as she and her partner traveled in the Southwest. Her apprehension about answering that question suggests how, even after the legalization of gay marriage, lesbianism often remains hidden--an observation that makes Krieger's poignant narrative all the more moving.

Standing over two graves, Rigoberto González studies the names "Ramon" and "María" under the family name "González." "She was María Carrillo, not María González," he thinks. His grandmother is missing. So begins González's memoir, a journey to recover a more complete picture of his grandmother, who raised him following his mother's death. González travels to his abuela’s birthplace, Michoacán, Mexico, and along the way recovers his memories of a past he had tried to leave behind. A complex woman who was forced to take on maternal roles and suffered years of abuse, his grandmother simultaneously resisted traditional gender roles; she was kind yet unaffectionate, and she kept many secrets in a crowded household with little personal space. Sifting through family histories and anecdotes, González pieces together the puzzling life story of a woman who was present in her grandson’s life yet absent during his emotional journey as a young man discovering his sexuality and planning his escape from a toxic and abusive environment. From fragments of memory and story, González ultimately creates a portrait of an unconventional yet memorable grandmother, a hard-working Indigenous Mexican woman who remained an enigma while she was alive. A grandmother, he shows, is more than what her descendants remember; she is also all that has been forgotten or never known. Through this candid exploration of his own family, González explores how we learn to remember and honor those we’ve lost.

This witty memoir traces a touching and often hilarious spiralic path to embracing a gay, Latinx identity against a culture of machismo--from a cockfighting ring in Nicaragua to cities across the U.S.--and the bath houses, night clubs, and drag queens who help redefine pride A debut memoir about coming of age as a gay, Latinx man, High-Risk Homosexual opens in the ultimate anti-gay space: Edgar Gomez's uncle's cockfighting ring in Nicaragua, where he was sent at thirteen years old to become a man. Readers follow Gomez through the queer spaces where he learned to love being gay and Latinx, including Pulse nightclub in Orlando, a drag queen convention in Los Angeles, and the doctor's office where he was diagnosed a "high-risk homosexual." With vulnerability, humor, and quick-witted insights into racial, sexual, familial, and professional power dynamics, Gomez shares a hard-won path to taking pride in the parts of himself he was taught to keep hidden. His story is a scintillating, beautiful reminder of the importance of leaving space for joy.

Men I've Never Been recounts Michael Sadowski's odyssey as a boy who shuns his own identity-and, ultimately, his sexual orientation-in order to become who he thinks he's supposed to be. Beginning with the memory of a four-year-old sitting in a dingy dive bar, sounding out newspaper headlines while his boasting father collects drinks from onlookers, each chapter highlights a different image of manhood that Sadowski saw at home, at school, or on television-from sports heroes, hunters, and game show hosts to his charismatic but hard-drinking father. As he learns not to talk, laugh, cry, or love, he retreats further behind a stoic mask of silence-outwardly well-functioning but emotionally isolated, sinking under the weight of the past. Through wrenching tragedy and tense, life-threatening challenges, Sadowski learns to find love, purpose, and healthy self-regard. In coming to understand his identity and his place within his family, he meditates on the power of real human connection and comes to grasp the damage of his troubled upbringing and the traumas caused by toxic masculinity. By turns comic and tragic, this nuanced memoir uncovers the false selves we create to get along in the world and the price we pay to maintain them.

An unvarnished accounting of one man's struggle toward sexual and emotional maturity. In this unconventional memoir, Jonathan Alexander addresses wry and affecting missives to a conflicted younger self. Focusing on three years--1989, 1993, and 1996--Dear Queer Self follows the author through the homophobic heights of the AIDS epidemic, the fall of the Berlin Wall, the election of Bill Clinton, and the steady advancements in gay rights that followed. With humor and wit afforded by hindsight, Alexander relives his closeted college years, his experiments with his sexuality in graduate school, his first marriage to a woman, and his budding career as a college professor. As he moves from tortured self-denial to hard-won self-acceptance, the author confronts the deeply uncomfortable ways he is implicated in his own story. More than just a coming-out narrative, Dear Queer Self is both an intimate psychological exploration and a cultural examination--a meshing of inner and outer realities and a personal reckoning with how we sometimes torture the truth to make a life. It is also a love letter, an homage to a decade of rapid change, and a playlist of the sounds, sights, and feelings of a difficult, but ultimately transformative, time.

"I am a child of the American West, a landscape so rich and wide that my culture trembles with terror before its power." So begins Taylor Brorby's Boys and Oil, a haunting, bracingly honest memoir about growing up gay amidst the harshness of rural North Dakota, "a place where there is no safety in a ravaged landscape of mining and fracking." In visceral prose, Brorby recounts his upbringing in the coalfields; his adolescent infatuation with books; and how he felt intrinsically different from other boys. Now an environmentalist, Brorby uses the destruction of large swathes of the West as a metaphor for the terror he experienced as a youth. From an assault outside a bar in an oil boom town to a furtive romance, and from his awakening as an activist to his arrest at the Dakota Access Pipeline, Boys and Oil provides a startling portrait of an America that persists despite well-intentioned legal protections.

Multi-award-winning Hannah Gadsby broke comedy with her show Nanette when she declared that she was quitting stand-up. Now she takes us through the defining moments in her life that led to the creation of Nanette and her powerful decision to tell the truth--no matter the cost. "There is nothing stronger than a broken woman who has rebuilt herself," Hannah Gadsby declared in her show Nanette, a scorching critique of the way society conducts public debates about marginalized communities. When it premiered on Netflix, it left audiences captivated by her blistering honesty and her singular ability to take them from rolling laughter to devastated silence. Ten Steps to Nanette continues Gadsby's tradition of confounding expectations and norms, properly introducing us to one of the most explosive, formative voices of our time. Gadsby grew up as the youngest of five children in an isolated town in Tasmania, where homosexuality was illegal until 1997. She perceived her childhood as safe and "normal," but as she gained an awareness of her burgeoning queerness, the outside world began to undermine the "vulnerably thin veneer" of her existence. After moving to mainland Australia and receiving a degree in art history, Gadsby found herself adrift, working itinerant jobs and enduring years of isolation punctuated by homophobic and sexual violence. At age twenty-seven, without a home or the ability to imagine her own future, she was urged by a friend to enter a stand-up competition. She won, and so began her career in comedy. Gadsby became well known for her self-deprecating, autobiographical humor that made her the butt of her own jokes. But in 2015, as Australia debated the legality of same-sex marriage, Gadsby started to question this mode of storytelling, beginning work on a show that would become "the most-talked-about, written-about, shared-about comedy act in years" (The New York Times). Harrowing and hilarious, Ten Steps to Nanette traces Gadsby's growth as a queer person, to her ever-evolving relationship with comedy,and her struggle with late-in-life diagnoses of autism and ADHD, finally arriving at the backbone of Nanette: the renouncement of self-deprecation, the rejection of misogyny, and the moral significance of truth-telling.

Eighteen months before Kathryn Schulz's beloved father died, she met the woman she would marry. In Lost & Found, she weaves the stories of those relationships into a brilliant exploration of how all our lives are shaped by loss and discovery--from the maddening disappearance of everyday objects to the sweeping devastations of war, pandemic, and natural disaster; from finding new planets to falling in love. Three very different American families form the heart of Lost & Found: the one that made Schulz's father, a charming, brilliant, absentminded Jewish refugee; the one that made her partner, an equally brilliant farmer's daughter and devout Christian; and the one she herself makes through marriage. But Schulz is also attentive to other, more universal kinds of conjunction: how private happiness can coexist with global catastrophe, how we get irritated with those we adore, how love and loss are themselves unavoidably inseparable. The resulting book is part memoir, part guidebook to living in a world that is simultaneously full of wonder and joy and wretchedness and suffering--a world that always demands both our gratitude and our grief. A staff writer at The New Yorker and winner of the Pulitzer Prize, Kathryn Schulz writes with curiosity, tenderness, erudition, and wit about our finite yet infinitely complicated lives. Crafted with the emotional clarity of C. S. Lewis and the intellectual force of Susan Sontag, Lost & Found is an uncommon book about common experiences.

"In climbing the Seven Summits, Silvia Vasquez-Lavado did nothing less than take back her own life--one brave step at a time. She will inspire untold numbers of souls with this story, for her victory is a win on behalf of all of us."--Elizabeth Gilbert.
Endless ice. Thin air. The threat of dropping into nothingness thousands of feet below. This is the climb Silvia Vasquez-Lavado braves in her page-turning, pulse-raising memoir following her journey to Mount Everest. A Latina hero in the elite macho tech world of Silicon Valley, privately, she was hanging by a thread. Deep in the throes of alcoholism, hiding her sexuality from her family, and repressing the abuse she'd suffered as a child, she started climbing. Something about the brute force required for the ascent--the risk and spirit and sheer size of the mountains and death's close proximity--woke her up. She then took her biggest pain as a survivor to the biggest mountain: Everest. "The Mother of the World," as it's known in Nepal, allows few to reach her summit, but Silvia didn't go alone. She gathered a group of young female survivors and led them to base camp alongside her. It was never easy. At times hair-raising, nerve-racking, and always challenging, Silvia remembers the acute anxiety of leading a group of novice climbers to Everest's base, all the while coping with her own nerves of summiting. But, there were also moments of peace, joy, and healing with the strength of her fellow survivors and community propelling her forward. In the Shadow of the Mountain is a remarkable story of heroism, one which awakens in all of us a lust for adventure, an appetite for risk, and faith in our own resilience.

It's easy to be yourself when who and what you are is in vogue. But growing up Black and gay in America has never been easy. Before Billy Porter was slaying red carpets and giving an iconic Emmy-winning performance in the celebrated TV show Pose; before he was the groundbreaking Tony and Grammy Award-winning star of Broadway's Kinky Boots; and before he was an acclaimed recording artist, actor, playwright, director, and all-around legend, Porter was a young boy in Pittsburgh who was seen as different, who didn't fit in. At five years old, Porter was sent to therapy to "fix" his effeminacy. He was endlessly bullied at school, sexually abused by his stepfather, and criticized at his church. Porter came of age in a world where simply being himself was a constant struggle. Billy Porter's Unprotected is the life story of a singular artist and survivor in his own words. It is the story of a boy whose talent and courage opened doors for him, but only a crack. It is the story of a teenager discovering himself, learning his voice and his craft amidst deep trauma. And it is the story of a young man whose unbreakable determination led him through countless hard times to where he is now; a proud icon who refuses to back down or hide. Porter is a multitalented, multifaceted treasure at the top of his game, and Unprotected is a resonant, inspirational story of trauma and healing, shot through with his singular voice.

Today, in Western countries, we are seeing both the fragmentation of the gender binary (the division of the social world into two and only two genders) and its persistence. Multiple genders, gender-neutral pronouns and bathrooms, X designations, and other manifestations of degendering are becoming common, and yet the two-gender structure of our social world persists. Underneath the persistence of the binary and its discriminatory norms and expectations lurks the continuance of men's power and privilege. So there is the continued need to valorize the accomplishments of women, especially those of denigrated groups. This succinct and thoughtful book by one of the world's foremost sociologists of gender shines a light on both sides of this paradox - processes in the fragmentation of gender that are undermining the binary and processes in the performance of gender that reinforce the binary, and the pros and cons of each. The conclusion of the book discusses why we haven't had a gender revolution and how degendering would go a long way in creating gender equality.

A love letter to the legendary Black and Latinx LGBTQ underground subculture, uncovering its abundant legacy and influence in popular culture. What is Ballroom? Not a song, a documentary, a catchphrase, a TV show, or an individual pop star. It is an underground subculture founded over a century ago by LGBTQ African American and Latino men and women of Harlem. Arts-based and intersectional, it transcends identity, acting as a fearless response to the systemic marginalization of minority populations. Ricky Tucker pulls from his years as a close friend of the community to reveal the complex cultural makeup and ongoing relevance of house and Ballroom, a space where trans lives are respected and applauded, and queer youth are able to find family and acceptance. With each chapter framed as a "category" (Vogue, Realness, Body, et al.), And the Category Is . . . offers an impressionistic point of entry into this subculture, its deeply integrated history, and how it's been appropriated for mainstream audiences. Each category features an exclusive interview with fierce LGBTQ/POC Ballroom members--Lee Soulja, Benjamin Ninja, Twiggy Pucci Garçon, and more--whose lives, work, and activism drive home that very category. At the height of public intrigue and awareness about Ballroom, thanks to TV shows like FX's Pose, Tucker's compelling narratives help us understand its relevance in pop culture, dance, public policy with regard to queer communities, and so much more. Welcome to the norm-defying realness of Ballroom.
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An exploration of how heteronormative bias is deeply embedded in the internet, hidden in algorithms, keywords, content moderation, and more. In The Digital Closet, Alexander Monea argues provocatively that the internet became straight by suppressing everything that is not, forcing LGBTQIA+ content into increasingly narrow channels-rendering it invisible through opaque algorithms, automated and human content moderation, warped keywords, and other strategies of digital overreach. Monea explains how the United States' thirty-year "war on porn" has brought about the over-regulation of sexual content, which, in turn, has resulted in the censorship of much nonpornographic content-including material on sex education and LGBTQIA+ activism. In this wide-ranging, enlightening account, Monea examines the cultural, technological, and political conditions that put LGBTQIA+ content into the closet. Monea looks at the anti-porn activism of the alt-right, Christian conservatives, and anti-porn feminists, who became strange bedfellows in the politics of pornography; investigates the coders, code, and moderators whose work serves to reify heteronormativity; and explores the collateral damage in the ongoing war on porn-the censorship of LGBTQ+ community resources, sex education materials, art, literature, and other content that engages with sexuality but would rarely be categorized as pornography by today's community standards. Finally, he examines the internet architectures responsible for the heteronormalization of porn- Google Safe Search and the data structures of tube sites and other porn platforms. Monea reveals the porn industry's deepest, darkest secret- porn is boring. Mainstream porn is stuck in a heteronormative filter bubble, limited to the same heteronormative tropes, tagged by the same heteronormative keywords. This heteronormativity is mirrored by the algorithms meant to filter pornographic content, increasingly filtering out all LGBTQIA+ content. Everyone suffers from this forced heteronormativity of the internet-suffering, Monea suggests, that could be alleviated by queering straightness and introducing feminism to dissipate the misogyny.

"A once-in-a-generation voice." - Vulture. "One of our greatest living writers." - Shondaland. A full-throated and provocative memoir in letters from the New York Times-bestselling author, "a dazzling literary talent whose works cut to the quick of the spiritual self." --Esquire. In three critically acclaimed novels, Akwaeke Emezi has introduced readers to a landscape marked by familial tensions, Igbo belief systems, and a boundless search for what it means to be free. Now, in this extraordinary memoir, the bestselling author of The Death of Vivek Oji reveals the harrowing yet resolute truths of their own life. Through candid, intimate correspondence with friends, lovers, and family, Emezi traces the unfolding of a self and the unforgettable journey of a creative spirit stepping into power in the human world. Their story weaves through transformative decisions about their gender and body, their precipitous path to success as a writer, and the turmoil of relationships on an emotional, romantic, and spiritual plane, culminating in a book that is as tender as it is brutal. Electrifying and inspiring, animated by the same voracious intelligence that distinguishes their fiction, Dear Senthuran is a revelatory account of storytelling, self, and survival.

"A memoir in essays about so many things--growing up in an abusive cult, coming of age as a lesbian in the military, forced out by homophobia, living on the margins as a working class woman and what it's like to grow into the person you are meant to be. Hough's writing will break your heart." --Roxane Gay. Searing and extremely personal essays, shot through with the darkest elements America can manifest, while discovering light and humor in unexpected corners. As an adult, Lauren Hough has had many identities: an airman in the U.S. Air Force, a cable guy, a bouncer at a gay club. As a child, however, she had none. Growing up as a member of the infamous cult The Children of God, Hough had her own self robbed from her. The cult took her all over the globe--to Germany, Japan, Texas, Chile--but it wasn't until she finally left for good that Lauren understood she could have a life beyond "The Family." Along the way, she's loaded up her car and started over, trading one life for the next. She's taken pilgrimages to the sights of her youth, been kept in solitary confinement, dated a lot of women, dabbled in drugs, and eventually found herself as what she always wanted to be: a writer. Here, as she sweeps through the underbelly of America--relying on friends, family, and strangers alike--she begins to excavate a new identity even as her past continues to trail her and color her world, relationships, and perceptions of self. At once razor-sharp, profoundly brave, and often very, very funny, the essays Leaving Isn't the Hardest Thing interrogate our notions of ecstasy, queerness, and what it means to live freely. Each piece is a reckoning: of survival, identity, and how to reclaim one's past when carving out a future.

A raw, poetic, coming-of-age "masterwork" (The New York Times) about Blackness, masculinity and addiction.
Punch Me Up to the Gods introduces a powerful new talent in Brian Broome, whose early years growing up in Ohio as a dark-skinned Black boy harboring crushes on other boys propel forward this gorgeous, aching, and unforgettable debut. Brian's recounting of his experiences--in all their cringe-worthy, hilarious, and heartbreaking glory--reveal a perpetual outsider awkwardly squirming to find his way in. Indiscriminate sex and escalating drug use help to soothe his hurt, young psyche, usually to uproarious and devastating effect. A no-nonsense mother and broken father play crucial roles in our misfit's origin story. But it is Brian's voice in the retelling that shows the true depth of vulnerability for young Black boys that is often quietly near to bursting at the seams. Cleverly framed around Gwendolyn Brooks's poem "We Real Cool," the iconic and loving ode to Black boyhood, Punch Me Up to the Gods is at once playful, poignant, and wholly original. Broome's writing brims with swagger and sensitivity, bringing an exquisite and fresh voice to ongoing cultural conversations about Blackness in America.

Billy-Ray Belcourt's collection of personal essays opens with a tender letter to his kokum and memories of his early life in the hamlet of Joussard, Alberta, and on the Driftpile Cree Nation. From there, it expands to encompass the big and broken world around him, in all its complexity and contradictions: a legacy of colonial violence and the joy that flourishes in spite of it, first loves and first loves lost, sexual exploration and intimacy, and the act of writing as a survival instinct and a way to grieve. What emerges is not only a profound meditation on memory, gender, anger, shame and ecstasy, but also the outline of a way forward. With startling honesty, and in a voice distinctly and assuredly his own, Belcourt situates his life experiences within a constellation of seminal queer texts, among which this book is sure to earn its place. Eye-opening, intensely emotional and excessively quotable, A History of My Brief Body demonstrates over and over again the power of words to both devastate and console us.

In this spirited account, Billie Jean King details her life's journey to find her true self. She recounts her groundbreaking tennis career--six years as the top-ranked woman in the world, twenty Wimbledon championships, thirty-nine grand-slam titles, and her watershed defeat of Bobby Riggs in the famous "Battle of the Sexes." She poignantly recalls the cultural backdrop of those years and the profound impact on her worldview from the women's movement, the assassinations and anti-war protests of the 1960s, the civil rights movement, and, eventually, the LGBTQ+ rights movement. She describes the myriad challenges she's hurdled--entrenched sexism, an eating disorder, near financial peril after being outed--on her path to publicly and unequivocally acknowledging her sexual identity at the age of fifty-one. She talks about how her life today remains one of indefatigable service. She offers insights and advice on leadership, business, activism, sports, politics, marriage equality, parenting, sexuality, and love. And she shows how living honestly and openly has had a transformative effect on her relationships and happiness. Hers is the story of a pathbreaking feminist, a world-class athlete, and an indomitable spirit whose impact has transcended even her spectacular achievements in sports.

The mass shooting at a queer Latin Night in Orlando in July 2016 sparked a public conversation about access to pleasure and selfhood within conditions of colonisation, violence, and negation. Queer Nightlife joins this conversation by centering queer and trans people of colour who apprehend the risky medium of the night to explore, know, and stage their bodies, genders, and sexualities in the face of systemic and social negation. The book focuses on house parties, nightclubs, and bars that offer improvisatory conditions and possibilities for "stranger intimacies," and that privilege music, dance, and sexual/gender expressions. Queer Nightlife extends the breadth of research on "everynight life" through twenty-five essays and interviews by leading scholars and artists. The book's four sections move temporally from preparing for the night (how do DJs source their sounds, what does it take to travel there, who promotes nightlife, what do people wear?); to the socialities of nightclubs (how are social dance practices introduced and taught, how is the price for sex negotiated, what styles do people adopt to feel and present as desirable?); to the staging and spectacle of the night (how do drag artists confound and celebrate gender, how are spaces designed to create the sensation of spectacularity, whose bodies become a spectacle already?); and finally, how the night continues beyond the club and after sunrise (what kinds of intimacies and gestures remain, how do we go back to the club after Orlando?).

Translocas focuses on drag and transgender performance and activism in Puerto Rico and its diaspora. Arguing for its political potential, Lawrence La Fountain-Stokes explores the social and cultural disruptions caused by Latin American and Latinx "locas" (effeminate men, drag queens, transgender performers, and unruly women) and the various forms of violence to which queer individuals in Puerto Rico and the U.S. are subjected. This interdisciplinary, auto-ethnographic, queer-of-color performance studies book explores the lives and work of contemporary performers and activists including Sylvia Rivera, Nina Flowers, Freddie Mercado, Javier Cardona, Jorge Merced, Erika Lopez, Holly Woodlawn, Monica Beverly Hillz, Lady Catiria, and Barbra Herr; television programs such as RuPaul's Drag Race; films such as Paris Is Burning, The Salt Mines, and Mala Mala; and literary works by authors such as Mayra Santos-Febres and Manuel Ramos Otero. Lawrence La Fountain-Stokes, a drag performer himself, demonstrates how each destabilizes (and sometimes reifies) dominant notions of gender and sexuality through drag and their embodied transgender expression. These performances provide a means to explore and critique issues of race, class, poverty, national identity, and migratory displacement while they posit a relationship between audiences and performers that has a ritual-like, communal dimension. The book also analyzes the murders of Jorge Steven López Mercado and Kevin Fret in Puerto Rico, and invites readers to challenge, question, and expand their knowledge about queer life, drag, trans performance, and Puerto Rican identity in the Caribbean and the diaspora. The author also pays careful attention to transgender experience, highlighting how trans activists and performers mold their bodies, promote social change, and create community in a context that oscillates between glamour and abjection.

A queer genealogy of the famous performance space and the nuyorican aesthetic. One could easily overlook the Nuyorican Poets Cafe, a small, unassuming performance venue on New York City's Lower East Side. Yet the space once hosted the likes of Victor Hernández Cruz, Allen Ginsberg, and Amiri Baraka and is widely credited as the homespace for the emergent nuyorican literary and aesthetic movement of the 1990s. Founded by a group of counterculturalist Puerto Rican immigrants and artists in the 1970s, the space slowly transformed the Puerto Rican ethnic and cultural associations of the epithet "Nuyorican," as the Cafe developed into a central hub for an artistic movement encompassing queer, trans, and diasporic performance. The Queer Nuyorican is the first queer genealogy and critical study of the historical, political, and cultural conditions under which the term "Nuyorican" shifted from a raced/ethnic identity marker to "nuyorican," an aesthetic practice. The nuyorican aesthetic recognizes and includes queer poets and performers of color whose writing and performance build upon the politics inherent in the Cafe's founding. Initially situated within the Cafe's physical space and countercultural discursive history, the nuyorican aesthetic extends beyond these gendered and ethnic boundaries, broadening the ethnic marker Nuyorican to include queer, trans, and diasporic performance modalities. Hip-hop studies, alongside critical race, queer, literary, and performance theories, are used to document the interventions made by queer and trans artists of color--Miguel Piñero, Regie Cabico, Glam Slam participants, and Ellison Glenn/Black Cracker--whose works demonstrate how the Nuyorican Poets Cafe has operated as a queer space since its founding. In focusing on artists who began their careers as spoken word artists and slam poets at the Cafe, The Queer Nuyorican examines queer modes of circulation that are tethered to the increasing visibility, commodification, and normalization of spoken word, slam poetry, and hip-hop theater in the United States and abroad.

This book provides a comprehensive overview of the challenges encountered by Lesbian, Gay, Bisexual, Transgender and Queer/Questioning individuals in accessing services and obtaining education, employment, and housing. Family and community bias against this population results in significant negative outcomes including increased mental health problems, homelessness, and social isolation. In addition, societal stigma and discrimination lead to poor physical health, increased smoking, alcohol and substance use, and economic disparities. Helping professionals must better understand the negative effects of discrimination and barriers to care the LGBTQ community faces to provide affirming and competent services and improve their quality of life. This book can be used by social workers, psychologists, health professionals and instructors to help them understand the relevant issues to provide non-discriminatory and culturally sensitive care to LGBTQ and gender nonconforming individuals. This book summarises the issues faced by this population to educate the reader on the history and effect of LGBTQ oppression, as well as victories that have led to current policies. Policies including the Affordable Care Act, the Religious Freedom Restoration Act, the Civil Rights Act and Title VII are examined for their impact on the LGBTQ individual. Discrimination policies regarding employment, schools, housing, HIV, and the military will be covered as well. The book includes chapters with a focus on social and family issues, physical health disparities, mental health concerns, substance use, economic and workplace challenges, and societal and legal issues that impact the LGBTQ community. A chapter on practical solutions and programmatic interventions for providing affirming and inclusive services will be instructive as to how to present a safe and welcoming space to clients. This book offers information for service providers and instructors to adapt clinical interventions to help build relationships, make assessments, and deliver services that celebrate, rather than discriminate against LGBTQ clients. There is a theme of inclusion throughout the book so there can be no doubt that the service provider does not have to identify as part of the LGBTQ community to effectively work with this cohort. There are numerous case studies throughout the book, examples of how to use inclusive language in clinical interviews, a comprehensive glossary of terms, and useful websites.

The Everyday Lives of Gay Men draws on the expertise of twelve contributors from different countries and fields, writing from an autoethnographic first person approach. Putting the power of personal stories at the centre of the construction of sophisticated narratives of gay men's lives, the accounts draw attention to the limits of traditional perspectives to gay men's studies that look at gayness through a sexualised lens and explore how gay men make sense of their identity in their everyday lives. Together they present a complex, nuanced understanding of gayness and challenge the conception of being gay as a sexual orientation because it describes in sexual terms an identity that is not only, not always, and not predominantly sexual. The authors come from a variety of fields, including counselling studies and sociology, to communication, religion, and education. The innovative approach of The Everyday Lives of Gay Men makes it ideal for students and Scholars in Gender Studies, Sexuality Studies, Sociology, Mental Health, and Research Methods.
*Also eBook (UC users only)

Queer Psychology is the first comprehensive book to examine the current state of LGBTQ communities and psychology, through the lenses of both queer theory and Intersectionality theory. Thus, the book describes the experiences of LGBTQ people broadly, while also highlighting the voices of LGBTQ people of color, transgender and gender nonconforming people, those of religious minority groups, immigrants, people with disabilities, and other historically marginalized groups. Each chapter will include an intersectional case example, as well as implications for policy and practice. This book is especially important as there has been an increase in psychology and counseling courses focusing on LGBTQ communities; however, students often learn about LGBTQ-related issues through a White cisgender male normative perspective. The edited volume contains the contributions of leading scholars in LGBTQ psychology, and covers a number of concepts - ranging from identity development to discrimination to health.

The contributors to Long Term use the tension between the popular embrace and legalization of same-sex marriage and the queer critique of homonormativity as an opportunity to examine the myriad forms of queer commitments and their durational aspect. They consider commitment in all its guises, particularly relationships beyond and aside from monogamous partnering. These include chosen and involuntary long-term commitments to families, friends, pets, and coworkers; to the care of others and care of self; and to financial, psychiatric, and carceral institutions. Whether considering the enduring challenges of chronic illnesses and disability, including HIV and chronic fatigue syndrome; theorizing the queer family as a scene of racialized commitment; or relating the grief and loss that comes with caring for pets, the contributors demonstrate that attending to the long term offers a fuller understanding of queer engagements with intimacy, mortality, change, dependence, and care.

What would Willa Cather's widely read and cherished novels have looked like if she had never met magazine editor and copywriter Edith Lewis? In this groundbreaking book on Cather's relationship with her life partner, author Melissa J. Homestead counters the established portrayal of Cather as a solitary genius and reassesses the role that Lewis, who has so far been rendered largely invisible by scholars, played in shaping Cather's work. Inviting Lewis to share the spotlight alongside this pivotal American writer, Homestead argues that Lewis was not just Cather's companion but also her close literary collaborator and editor.Drawing on an array of previously unpublished sources, Homestead skillfully reconstructs Cather and Lewis's life together, from their time in New York City to their travels in the American Southwest that formed the basis of the novels The Professor's House and Death Comes for the Archbishop. After Cather's death and in the midst of the Cold War panic over homosexuality, the story of her life with Edith Lewis could not be told, but by telling it now, Homestead offers a refreshing take on lesbian life in early twentieth-century America.

A Ms. magazine, Refinery29, and Lambda Literary Most Anticipated Read of 2021.
A groundbreaking collection tracing the history of intellectual thought by Black Lesbian writers, in the tradition of The New Press's perennial seller Words of Fire. African American lesbian writers and theorists have made extraordinary contributions to feminist theory, activism, and writing. Mouths of Rain, the companion anthology to Beverly Guy-Sheftall's classic Words of Fire, traces the long history of intellectual thought produced by Black Lesbian writers, spanning the nineteenth century through the twenty-first century. Using "Black Lesbian" as a capacious signifier, Mouths of Rain includes writing by Black women who have shared intimate and loving relationships with other women, as well as Black women who see bonding as mutual, Black women who have self-identified as lesbian, Black women who have written about Black Lesbians, and Black women who theorize about and see the word lesbian as a political descriptor that disrupts and critiques capitalism, heterosexism, and heteropatriarchy. Taking its title from a poem by Audre Lorde, Mouths of Rain addresses pervasive issues such as misogynoir and anti-blackness while also attending to love, romance, "coming out," and the erotic. Contributors include: Barbara Smith, Beverly Smith. Bettina Love, Dionne Brand, Cheryl Clarke, Cathy J. Cohen, Angelina Weld Grimke, Alexis Pauline Gumbs, Audre Lorde, Dawn Lundy Martin, Pauli Murray, Michelle Parkerson, Mecca Jamilah Sullivan, Alice Walker, and Jewelle Gomez.

Sexual desire, often understood as personal erotic preference, is frequently seen as neutral, natural, or inevitable. Countering these commonplace assumptions, Racial Erotics shows how sexual partnering within communities of gay men is deeply embedded within larger social structures that define whiteness as desirable and normative while othering men of color. In queer erotic economies this othering may take the form of sexual rejection or fetishization of men of color, but C. Winter Han argues that the real danger of sexual racism is that it creates a hierarchy of racial worth that extends outside of erotic encounters into the everyday lives of gay men of color. In this way, sexual racism perpetuates a larger project of racial erasing that equates gayness with whiteness to secure acceptance for gay white men at the expense of queers of color. With vivid examples from interviews, media representations, and online dating sites, Han highlights the creative means through which gay men of color, cordoned off in spaces both gay and straight, produce alternative frameworks to combat dominant narratives. Racial Erotics offers a new paradigm for understanding the connection of race and queer desire, demonstrating how race profoundly shapes sexual desires among men while racialized notions of desire construct beliefs about belonging.

Why do some straight men in rural America have sex with other men? In Still Straight, Tony Silva convincingly argues that these men--many of whom enjoy hunting, fishing, and shooting guns--are not gay, bisexual, or "just experimenting." As he shows, these men can enjoy a range of relationships with other men, from hookups to sexual friendships to secretive loving partnerships, all while strongly identifying with straight culture. Drawing on riveting interviews with straight white men who live in rural America, Silva explores the fascinating, and unexpected, disconnect between sexual behavior and identity. Some use sex with men to bond with other men in an acceptably masculine way; some are not particularly attracted to men, but are wary of emotional attachment with women; and others view sex with men--as opposed to women--as a more acceptable form of extramarital sexual behavior. Taking us inside the lives of straight white men who have sex with other men, Still Straight shows us that heterosexuality in rural America is not always, in fact, what it seems.

What role did America's newspaper advice columnists play in shaping and forming societal attitudes toward LGBTQ people throughout the 20th century? They served the dual function of offering advice and satisfying the curious. They also often provided the first mention of homosexuality outside of newspaper crime blotters. More than 100 million readers regularly read the columns. This book chronicles some of the most popular and widely circulated newspaper columns between the 1930s and 2000, including Ann Landers, Dear Abby, Helen Help Us!, Dr. Joyce Brothers, The Worry Clinic, Dear Meg, Ask Beth, and Savage Love. It examines the function of these columns regarding the place of LGBTQ people in America and what role they played in forming a public opinion. From these columns, we learn not only the framework of how straight Americans understood their homosexual brethren, but also how attitudes and feelings continued to evolve.

*At UCLA Arts Library.
Wild Visionary reconsiders Maurice Sendak's life and work in the context of his experience as a Jewish gay man. Maurice (Moishe) Bernard Sendak (1928-2012) was a fierce, romantic, and shockingly funny truth seeker who intervened in modern literature and culture. Raising the stakes of children's books, Sendak painted childhood with the dark realism and wild imagination of his own sensitive "inner child," drawing on the queer and Yiddish sensibilities that shaped his singular voice. Interweaving literary biography and cultural history, Golan Y. Moskowitz follows Sendak from his parents' Brooklyn home to spaces of creative growth and artistic vision--from neighborhood movie palaces to Hell's Kitchen, Greenwich Village, Fire Island, and the Connecticut country home he shared with Eugene Glynn, his partner of more than fifty years. Further, he analyzes Sendak's investment in the figure of the endangered child in symbolic relation to collective touchstones that impacted the artist's perspective--the Great Depression, the Holocaust, and the AIDS crisis. Through a deep exploration of Sendak's picture books, interviews, and previously unstudied personal correspondence, Wild Visionary offers a sensitive portrait of the most beloved and enchanting picture-book artist of our time.

Even after a rise in gay and Black representation and production on TV in the 1990s, the sitcom became a "generic closet," restricting Black gay characters with narrative tropes. Drawing from 20 interviews with credited episode writers, key show-runners, and Black gay men, The Generic Closet situates Black-cast sitcoms as a unique genre that uses Black gay characters in service of the series' heterosexual main cast. Alfred L. Martin, Jr., argues that the Black community is considered to be antigay due to misrepresentation by shows that aired during the family viewing hour and that were written for the imagined, "traditional" Black family. Martin considers audience reception, industrial production practices, and authorship to unpack the claim that Black gay characters are written into Black-cast sitcoms such as Moesha, Good News, and Let's Stay Together in order to closet Black gayness. By exploring how systems of power produce ideologies about Black gayness, The Generic Closet deconstructs the concept of a monolithic Black audience and investigates whether this generic closet still exists.

From a writer whose work has been called "breathtaking and dazzling" by Roxane Gay, this moving, illuminating, and multifaceted memoir explores, in a series of essays, the emotional scars we carry when dealing with mental and physical illnesses--reminiscent of The Collected Schizophrenias and An Unquiet Mind. In this stunning debut, Laura Lee weaves unforgettable and eye-opening essays on a variety of taboo topics. In "History of Scars" and "Aluminum's Erosions," Laura dives head-first into heavier themes revolving around intimacy, sexuality, trauma, mental illness, and the passage of time. In "Poetry of the World," Laura shifts and addresses the grief she feels by being geographically distant from her mother whom, after being diagnosed with early onset Alzheimer's, is relocated to a nursing home in Korea. Through the vivid imagery of mountain climbing, cooking, studying writing, and growing up Korean American, Lee explores the legacy of trauma on a young queer child of immigrants as she reconciles the disparate pieces of existence that make her whole. By tapping into her own personal, emotional, and psychological struggles in these powerful and relatable essays, Lee encourages all of us to not be afraid to face our own hardships and inner truths.

Jan Morris delivers her final volume, brimming with reminiscences, meditations on daily life, and mini-essays on everything from maturity to whistling to Princess Diana. Not so long ago, feeling intimations of mortality, Jan Morris embarked on a wholly novel literary enterprise. What began as a series of high-minded letters to her late daughter―in the style of Lord Chesterfield addressing his son―quickly transformed itself into a potpourri of mini-essays and vibrant reminiscences, organized around experiences both majestic and mundane, from traveling the world with her lifelong partner, Elizabeth, to sneezing and kissing and simply growing old. So Allegorizings came to be, and so Morris decided that it should only be published upon her death, not because she had anything to hide but, merely, in parting. Featuring essays largely written in the early twenty-first century, Allegorizings reflects, above all, Morris’s steadfast conviction that nothing is only what it seems. In fact, she observes, everything is allegory. Indeed, in Morris’s telling, even life―the whole conundrum of existence―is one long, majestically impenetrable allegory. Taking us from the separatist hippie colony of Bolinas, California, to her home country of Wales, and introducing us to Nepalese Sherpas and elderly cruise-goers alike, Morris follows the throughline of allegory throughout her works. With characteristic verve, she offers odes to whistling and cursing, cats, and exclamation points. Morris’s travels anchor the collection, as she revisits the iconic settings of her previous works. Intimate and luminously wise, Allegorizings is as much a testament to the virtues of embracing life as it is a testament to its charming, indignant, and ever-surprising author. In her final work, Morris’s writing is as erudite as ever, conveying a generosity of spirit “flavored by well-earned crankiness” (Vox). Though newly bereft of her company, readers will be reminded what “a good, wise, and witty companion” (Alexander McCall Smith) Morris has been to so many, for so long.

Navigating Remarkable Communication Experiences of Sexual Minorities investigates and theorizes the unique and crucial communication experiences of sexual minority people in a heteronormative society. Using qualitative and quantitative data, the authors examine messages and message processes of four communication experiences that have personal and relational impacts on lesbian, gay, and bisexual (LGB) people. The book identifies different scripts of coming out, strategies for sexual orientation disclosure and concealment, and common topics discussed by same-sex couples when making relationship revelation decisions. Data presented in this book shows that people communicate their sexual orientation in various ways, influencing their mental health and relationship outcomes. To explain why people create different coming out messages, the authors propose a Theory of Coming Out Message Production, which identifies personal, relational, cultural, and situational factors that affect LGB individuals' sexual orientation disclosure. This book includes practical guidelines for LGB people to better prepare and enact difficult conversations in various relational contexts. Scholars of sexuality studies and communication studies will find this book particularly interesting.

Mutual aid is the radical act of caring for each other while working to change the world. Around the globe, people are faced with a spiralling succession of crises, from the Covid-19 pandemic and climate change-induced fires, floods, and storms to the ongoing horrors of mass incarceration, racist policing, brutal immigration enforcement, endemic gender violence, and severe wealth inequality. As governments fail to respond to--or actively engineer--each crisis, ordinary people are finding bold and innovative ways to share resources and support the vulnerable. Survival work, when done alongside social movement demands for transformative change, is called mutual aid. This book is about mutual aid: why it is so important, what it looks like, and how to do it. It provides a grassroots theory of mutual aid, describes how mutual aid is a crucial part of powerful movements for social justice, and offers concrete tools for organizing, such as how to work in groups, how to foster a collective decision-making process, how to prevent and address conflict, and how to deal with burnout. Writing for those new to activism as well as those who have been in social movements for a long time, Dean Spade draws on years of organizing to offer a radical vision of community mobilization, social transformation, compassionate activism, and solidarity.

Self-described "black, lesbian, mother, warrior, poet" Audre Lorde is an unforgettable voice in twentieth-century literature, and one of the first to center the experiences of black, queer women. This essential reader showcases her indelible contributions to intersectional feminism, queer theory, and critical race studies in twelve landmark essays and more than sixty poems--selected and introduced by one of our most powerful contemporary voices on race and gender, Roxane Gay. Among the essays included here are: "The Transformation of Silence into Language and Action", "The Master's Tools Will Never Dismantle the Master's House", "I Am Your Sister", and excerpts from the American Book Award-winning A Burst of Light. The poems are drawn from Lorde's nine volumes, including The Black Unicorn and National Book Award finalist From a Land Where Other People Live. Among them are: "Martha", "A Litany for Survival", "Sister Outsider", and "Making Love to Concrete."

The 2020 Tokyo Olympic Games are likely to feature the first transgender athlete, a topic that will be highly contentious during the competition. But transgender and intersex athletes such as Laurel Hubbard, Tifanny Abreu, and Caster Semenya didn't just turn up overnight. Both intersex and transgender athletes have been newsworthy stories for decades. In Sporting Gender: The History, Science, and Stories of Transgender and Intersex Athletes, Joanna Harper provides an in-depth examination of why gender diverse athletes are so controversial. She not only delves into the history of these athletes and their personal stories, but also explains in a highly accessible manner the science behind their gender diversity and why the science is important for regulatory committees-and the general public-to consider when evaluating sports performance. Sporting Gender gives the reader a perspective that is both broad in scope and yet detailed enough to grasp the nuances that are central in understanding the controversies over intersex and transgender athletes. Featuring personal investigations from the author, who has had first-person access to some of the most significant recent developments in this complex arena, this book provides fascinating insight into sex, gender, and sports.

This transformative guide completely breaks down our current understanding of biological sex and gender diversity. Introducing readers to seven variations of human sex, commonly considered intersex, the book challenges the myth that sex and gender are exclusively binary and explores the inherent diversity of biological sex and its relationship to gender identity and expression, and the impact this has on society. Examining historical, linguistic and socio-cultural understandings of sex and gender, as well as genetic and scientific definitions, the book is an important resource for dismantling gender and sexuality-based discrimination and promoting understanding and inclusivity. Co-written by one of the world's leading intersex activists and a highly respected scholar in biological sciences, and accompanied with detailed anatomical illustrations throughout, this pioneering text is the essential introduction to gender and sex diversity for gender studies, women's studies, biology and genetics courses, as well as professionals working with intersex and trans communities.

The Digital Closet: LGBT*Q Identities and Affective Politics in a Social Media Age discusses how LGBT*Q individuals occupy a precarious space within society as a marginalized community in the United States. They are afforded representation in some venues yet are often invisible. Through social media, LGBT*Q individuals have sought new ways to forge communities and increase their visibility. This rise in visibility afforded individuals means to seek out and distribute information to help in the coming out process. Combining archival research, observation, interviews, and visual discourse analysis of social media feeds, the Patrick Johnson examines the role social media plays in expressions of LGBT*Q politics, culture, and coming out. Despite the messages not having changed fundamentally, the improved access to LGBT*Q stories have amplified the ones that are sent. Johnson argues that this is positive in acting as intervention for LGBT*Q suicide rates, hate crimes, and discrimination from the outside. However, the author also contends that it has vastly re-centered and prioritized white, cisgender, masculinity, obscuring other stories and creating potentially dangerous environments for POC, women, trans* individuals, and gay men who do not meet this high standard of masculinity. Scholars of gender studies, media studies, and queer theory will find this book particularly interesting.

Is sexual identity biologically determined or a product of social convention? In this brilliant and provocative classic, the distinguished feminist scholar Anne Fausto-Sterling argues that even the most fundamental knowledge about sex and gender is shaped by the culture in which scientific knowledge is produced. Drawing on illuminating real-life cases and a probing analysis of centuries of scientific research, Fausto-Sterling demonstrates how scientists have historically politicized the body. In lively and impassioned prose, she breaks down three key dualisms -- sex/gender, nature/nurture, and real/constructed -- and asserts that intersex and other non-binary individuals should not be forced to fit flawed societal definitions of normality.Now with a new preface and final chapter considering the many scientific and political developments of the last two decades, Sexing the Body is an indispensable and revolutionary look at how biology, society, and history together determine sexual difference.

This Companion provides a guide to queer inquiry in literary and cultural studies. The essays represent new and emerging areas, including transgender studies, indigenous studies, disability studies, queer of color critique, performance studies, and studies of digital culture.  Rather than being organized around a set of literary texts defined by a particular theme, literary movement, or demographic, this volume foregrounds a queer critical approach that moves across a wide array of literary traditions, genres, historical periods, national contexts, and media. This book traces the intellectual and political emergence of queer studies, addresses relevant critical debates in the field, provides an overview of queer approaches to genres, and explains how queer approaches have transformed understandings of key concepts in multiple fields.

In a series of personal essays, prominent journalist and LGBTQIA+ activist George M. Johnson explores his childhood, adolescence, and college years in New Jersey and Virginia. From the memories of getting his teeth kicked out by bullies at age five, to flea marketing with his loving grandmother, to his first sexual relationships, this young-adult memoir weaves together the trials and triumphs faced by Black queer boys. Both a primer for teens eager to be allies as well as a reassuring testimony for young queer men of color, All Boys Aren't Blue covers topics such as gender identity, toxic masculinity, brotherhood, family, structural marginalization, consent, and Black joy.

In 1969, poet and revolutionary Margaret Randall was forced underground when the Mexican government cracked down on all those who took part in the 1968 student movement. Needing to leave the country, she sent her four young children alone to Cuba while she scrambled to find safe passage out of Mexico. In I Never Left Home, Randall recounts her harrowing escape and the other extraordinary stories from her life and career. From living among New York's abstract expressionists in the mid-1950s as a young woman to working in the Nicaraguan Ministry of Culture to instill revolutionary values in the media during the Sandinista movement, the story of Randall's life reads like a Hollywood production. Along the way, she edited a bilingual literary journal in Mexico City, befriended Cuban revolutionaries, raised a family, came out as a lesbian, taught college, and wrote over 150 books. Throughout it all, Randall never wavered from her devotion to social justice. When she returned to the United States in 1984 after living in Latin America for twenty-three years, the U.S. Immigration and Naturalization Service ordered her to be deported for her "subversive writing." Over the next five years, and with the support of writers, entertainers, and ordinary people across the country, Randall fought to regain her citizenship, which she won in court in 1989. As much as I Never Left Home is Randall's story, it is also the story of the communities of artists, writers, and radicals she belonged to. Randall brings to life scores of creative and courageous people on the front lines of creating a more just world. She also weaves political and social analyses and poetry into the narrative of her life. Moving, captivating, and astonishing, I Never Left Home is a remarkable story of a remarkable woman.
*ebook (UC users only)
*Also available in print: I Never Left Home

While people used to conceal the fact that they were gay or lesbian to protect themselves from stigma and discrimination, it is now commonplace for people to "come out" and encourage others to do so as well. Come Out, Come Out, Whoever You Are systematically examines how coming out has moved beyond gay and lesbian rights groups and how different groups wrestle with the politics of coming out in their efforts to resist stigma and enact social change. It shows how different experiences and disparate risks of disclosure shape these groups' collective strategies. Through scores of interviews with LGBTQ+ people, undocumented immigrant youth, fat acceptance activists, Mormon fundamentalist polygamists, and sexual harassment lawyers and activists in the era of the #MeToo movement, Come Out, Come Out, Whoever You Are explains why so many different groups gravitate toward the term coming out. By focusing on the personal and political resonance of coming out, it provides a novel way to understand how identity politics work in America today.

Despite enormous changes in patterns of dating and courtship in twenty-first-century America, contemporary understandings of romance and intimacy remain firmly rooted in age-old assumptions of gender difference. These tenacious beliefs now vie with cultural messages of gender equality that stress independence, self-development, and egalitarian practices in public and private life. Through interviews with heterosexual and LGBTQ individuals, Ellen Lamont's The Mating Game explores how people with diverse sexualities and gender identities date, form romantic relationships, and make decisions about future commitments as they negotiate uncertain terrain fraught with competing messages about gender, sexuality, and intimacy.
*ebook (UC users only)

This book provides a unique analysis of the intersection between gender, sexuality, race, and social media. While early scholarship identified the internet as being inherently egalitarian, this volume presents the internet as a "real" social place where inequalities matter and manifest in particular ways according to the architectures of particular platforms. This volume utilizes innovative methodologies to analyze how internet users both re-inscribe and resist inequalities of gender, sexuality, and race. It describes how the internet has ameliorated and bridged geographic and numerical limits on community formation, and this volume examines how the functioning of social inequalities differs on- and offline.
*ebook (UC users only)

Raised in an adobe house built by their mother, the author takes readers to a mid-20th century barrio that existed on the social margins of Tucson, Arizona despite sitting a little more than a mile away from the central business district. Born in 1955, and nicknamed La Butch by their family, Lydia Otero knew they were queer the moment their consciousness had evolved enough to formulate thoughts. In addition to growing up fighting assigned gender expectations, a new freeway greatly influenced formative aspects of Otero's childhood. The author witnessed how the steady expansion of Interstate 10 (I-10) separated and isolated a barrio of brown and poor residents from the rest of the city. Growing up 200 feet from the freeway meant more than enduring traffic noise and sirens for barrio families. It introduced environmental hazards that contributed to the death of family members. The construction of the freeway also realigned school boundaries. Although able to attend the same the same schools as white children, the author details how Americanization policies and programs worked to racialize and separate brown students such as Otero as late as 1961. This book, which combines personal memoir and family history with historical archives, offers more self-disclosure than Otero's previous works, as the author's experiences of childhood take center stage. Otero reveals the day-to-day survival mechanisms they depended upon, the exhilaration of first love, the love of reading and the support the author received from key family members as they tried to gain a sense of belonging in a world mired in dislocation.

In California, a month before the Stonewall Riots in 1969, Maxine Feldman penned a song, "Angry Atthis," about the shame surrounding lesbians. She didn't know where she was going to sing her new song until comedy duo Harrison and Tyler asked her to open their shows. On the other side of the country and three years later, Alix Dobkin released Lavender Jane Loves Women, the first record produced, engineered and played by women. Maxine and Alix had no business plan. They didn't fit the mold set by mainstream music but they saw great potential to create a powerful soundtrack for women claiming their place as lesbians and feminists. A myriad of musicians joined them, from a cappella group Sweet Honey in the Rock, to singer-songwriter Cris Williamson, to activist/singer Holly Near, to jazz/classical/gospel performer Mary Watkins and many more; collectively they have sold millions of albums. Venues, radio shows, record distributors, and sound technicians sprung up to host and work with these musicians. Grateful fans traveled hundreds of miles to attend performances. These women (and a few men) created artist-run independent record labels--perhaps the first in history--and organized music festivals that drew thousands and still exist today. Before Lilith Fair and riot grrrls, there was women's music! "I stood in those crowds, sang along with Meg Christian and Casse Culver and women who played rock & roll and bluegrass and all the music that echoed in my bloodstream. Jamie Anderson has caught the lightning and put it on the page." - Dorothy Allison

This edited volume examines how and where gay men of color find "home" and what kind of home they find, how they make sense of race and sexuality, and how their experiences reflect what it means to be "raced" and "sexed" in America. The contributors argue both racially and sexually marginalized groups all confront levels of racism and heterosexism that is practiced by the larger ethnic and sexual communities that use white heterosexuality as the "norm" to which all others are compared. They further argue that despite different constructions of race and ethnicity, there are similar themes for racialized groups that need to be explored.

This book enters as a corrective to the tendency to trivialize and (mis)appropriate African American language practices. The word ratchet has entered into a wider (whiter) American discourse the same way that many words in African American English have--through hip-hop and social media. Generally, ratchet refers to behaviors and cultural expressions of Black people that sit outside of normative, middle-class respectable codes of conduct. Ratchet can function both as a tool for critiquing bad Black behavior, and as a tool for resisting the notion that there are such things as "good" and "bad" behavior in the first place. This book takes seriously the way ratchet operates in the everyday lives of middle-class and upwardly mobile Black Queer women in Washington, DC who, because of their sexuality, are situated outside of the norms of (Black) respectability. The book introduces the concept of "ratchet/boojie cultural politics" which draws from a rich body of Black intellectual traditions which interrogate the debates concerning what is and is not "acceptable" Black (middle-class) behavior. Placing issues of non-normative sexuality at the center of the conversation about notions of propriety within normative modes of Black middle-class behavior, this book discusses what it means for Black Queer women's bodies to be present within ratchet/boojie cultural projects, asking what Black Queer women's increasing visibility does for the everyday experiences of Black queer people more broadly.

*At YRL.
At first glance, Barbara Kalish fit the stereotype of a 1950s wife and mother. Married at eighteen, Barbara lived with her husband and two daughters in a California suburb, where she was president of the Parent-Teacher Association. At a PTA training conference in San Francisco, Barbara met Pearl, another PTA president who also had two children and happened to live only a few blocks away from her. To Barbara, Pearl was "the most gorgeous woman in the world," and the two began an affair that lasted over a decade. Through interviews, diaries, memoirs, and letters, Her Neighbor's Wife traces the stories of hundreds of women, like Barbara Kalish, who struggled to balance marriage and same-sex desire in the postwar United States. In doing so, Lauren Jae Gutterman draws our attention away from the postwar landscape of urban gay bars and into the homes of married women, who tended to engage in affairs with wives and mothers they met in the context of their daily lives: through work, at church, or in their neighborhoods. In the late 1960s and 1970s, the lesbian feminist movement and the no-fault divorce revolution transformed the lives of wives who desired women. Women could now choose to divorce their husbands in order to lead openly lesbian or bisexual lives; increasingly, however, these women were confronted by hostile state discrimination, typically in legal battles over child custody. Well into the 1980s, many women remained ambivalent about divorce and resistant to labeling themselves as lesbian, therefore complicating a simple interpretation of their lives and relationship choices. By revealing the extent to which marriage has historically permitted space for wives' relationships with other women, Her Neighbor's Wife calls into question the presumed straightness of traditional American marriage.

*At Young Research Library.
This collection of case studies that model LGBTQ+ affirmative social work practice offers real-life scenarios from a range of social work scholars, educators, and practitioners, representing diverse sexualities, genders, and intersectional identities. Together, they demonstrate contemporary, multilevel, queer-affirming social work practice with LGBTQ+ people and communities. These fourteen case studies follow social workers across the country on their quest for quality service provision for vulnerable populations. Chapters explore issues such as finding trans-affirming care for teens, methamphetamine abuse among elderly gay men, previously exploited teens reentering foster care, navigating nonmonogamous relationships, and more. Each chapter offers concrete, comparative case formulation that depicts culturally responsive work with LGBTQ+ people by LGBTQ+ social workers. These diverse vignettes showcase a range of life experiences and explore how factors like religion, age, and immigration status affect social work practice. The case studies in this volume integrate best-practice standards and interventions, social work ethics and competencies, and clinical and critical theories. Queer Social Work is a progressive pedagogical tool that provides a forum for marginalized communities and individuals as well as the committed practitioners who serve them.

Haunted and haunting, Jones's memoir tells the story of a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes that chart a course across the American landscape, Jones draws readers into his boyhood and adolescence--into tumultuous relationships with his mother and grandmother, into passing flings with lovers, friends and strangers. Each piece builds into a larger examination of race and queerness, power and vulnerability, love and grief: a portrait of what we all do for one another--and to one another--as we fight to become ourselves.

There has never been a more crucial time for an intimate and thorough examination of the ways in which sexuality informs people's lives. In Living Sexuality: Stories of LGBTQ Relationships, Identities, and Desires, the authors use autoethnography and personal narrative to provide first-hand accounts of the connections between sexuality, particularly LGBTQ identities, and the everyday experiences of relationships. Each story also invites readers to understand how sexuality informs communication as it occurs within diverse cultural contexts. In addition, the stories often focus on taboo issues overlooked or ignored in mainstream research about sexuality. Discussion questions appear at the end of each story that should stimulate engagement by students, instructors, and researchers.

Bringing together a collection of narratives from those who are on the autism spectrum whilst also identifying as lesbian, gay, bisexual, transgender, queer, intersex and/or asexual (LGBTQIA), this book explores the intersection of the two spectrums as well as the diverse experiences that come with it. By providing knowledge and advice based on in-depth research and personal accounts, the narratives will be immensely valuable to teenagers, adults, partners and families. The authors round these stories with a discussion of themes across narratives, and implications for the issues discussed. In the final chapter, the authors reflect on commonly asked questions from a clinical perspective, bringing in relevant research, as well as sharing best-practice tips and considerations that may be helpful for LGBTQIA and ASD teenagers and adults. These may also be used by family members and clinicians when counselling teenagers and adults on the dual spectrum. With each chapter structured around LGBTQIA and autism spectrum identities, Gender Identity, Sexuality and Autism highlights the fluidity of gender identity, sexual orientation and neurodiversity and provides a space for people to share their individual experiences.

Lorraine Hansberry, who died at thirty-four, was by all accounts a force of nature. Although best-known for her work A Raisin in the Sun, her short life was full of extraordinary experiences and achievements, and she had an unflinching commitment to social justice, which brought her under FBI surveillance when she was barely in her twenties. While her close friends and contemporaries, like James Baldwin and Nina Simone, have been rightly celebrated, her story has been diminished and relegated to one work-until now. In 2018, Hansberry will get the recognition she deserves with the PBS American Masters documentary "Lorraine Hansberry- Sighted Eyes/Feeling Heart" and Imani Perry's multi-dimensional, illuminating biography, Looking for Lorraine. After the success of A Raisin in the Sun, Hansberry used her prominence in myriad ways- challenging President Kennedy and his brother to take bolder stances on Civil Rights, supporting African anti-colonial leaders, and confronting the romantic racism of the Beat poets and Village hipsters. Though she married a man, she identified as lesbian and, risking censure and the prospect of being outed, joined one of the nation's first lesbian organizations. Hansberry associated with many activists, writers, and musicians, including Malcolm X, Langston Hughes, Duke Ellington, Paul Robeson, W.E.B. Du Bois, among others. Looking for Lorraine is a powerful insight into Hansberry's extraordinary life-a life that was tragically cut far too short.

The second edition of this award-winning textbook provides an accessible and engaging introduction to the field of lesbian, gay, bisexual, transgender, intersex, and queer psychology. Comprehensive in scope and international in outlook, it offers an integrated overview of key topical areas, from history and context, identities and fluidity, families and relationships, to health and wellbeing. The second edition has been extensively revised to address substantial developments and emerging areas, such as people born with intersex variations, transgender and non-binary genders, intersectionality, and gender-diverse children. It also includes new pedagogical features to support learning and to facilitate discussion and reflection, with feature boxes throughout that explain important concepts, provide concise overviews of cutting-edge research, and offer first-person narratives that bring topics to life. This pioneering textbook is an essential resource for undergraduate courses on sex, gender, and sexuality in psychology and related disciplines, such as sociology, health studies, social work, education, and counselling.

*At Young Research Library.
The right to privacy is a pivotal concept in the culture wars that have galvanized American politics for the past several decades. It has become a rallying point for political issues ranging from abortion to gay liberation to sex education. Yet this notion of privacy originated not only from legal arguments, nor solely from political movements on the left or the right, but instead from ambivalent moderates who valued both personal freedom and the preservation of social norms. In The Closet and the Cul-de-Sac, Clayton Howard chronicles the rise of sexual privacy as a fulcrum of American cultural politics. Beginning in the 1940s, public officials pursued an agenda that both promoted heterosexuality and made sexual privacy one of the state's key promises to its citizens. The 1944 G.I. Bill, for example, excluded gay veterans and enfranchised married ones in its dispersal of housing benefits. At the same time, officials required secluded bedrooms in new suburban homes and created educational campaigns designed to teach children respect for parents' privacy. In the following decades, measures such as these helped to concentrate middle-class families in the suburbs and gay men and lesbians in cities. In the 1960s and 1970s, the gay rights movement invoked privacy to attack repressive antigay laws, while social conservatives criticized tolerance for LGBT people as an assault on their own privacy. Many self-identified moderates, however, used identical rhetoric to distance themselves from both the discriminatory language of the religious right and the perceived excesses of the gay freedom struggle. Using the Bay Area as a case study, Howard places these moderates at the center of postwar American politics and shows how the region's burgeoning suburbs reacted to increasing gay activism in San Francisco. The Closet and the Cul-de-Sac offers specific examples of the ways in which government policies shaped many Americans' attitudes about sexuality and privacy and the ways in which citizens mobilized to reshape them.

A moving exploration of how gay men construct their identities, fight to be themselves, and live authentically It goes without saying that even today, it's not easy to be gay in America. While young gay men often come out more readily, even those from the most progressive of backgrounds still struggle with the legacy of early-life stigma and a deficit of self-acceptance, which can fuel doubt, regret, and, at worst, self-loathing. And this is to say nothing of the ongoing trauma wrought by AIDS, which is all too often relegated to history. Drawing on his work as a clinical psychologist during and in the aftermath of the epidemic, Walt Odets reflects on what it means to survive and figure out a way to live in a new, uncompromising future, both for the men who endured the upheaval of those years and for the younger men who have come of age since then, at a time when an HIV epidemic is still ravaging the gay community, especially among the most marginalized. Through moving stories--of friends and patients, and his own--Odets considers how experiences early in life launch men on trajectories aimed at futures that are not authentically theirs. He writes to help reconstruct how we think about gay life by considering everything from the misleading idea of "the homosexual," to the diversity and richness of gay relationships, to the historical role of stigma and shame and the significance of youth and of aging. Crawling out from under the trauma of destructive early-life experience and the two epidemics, and into a century of shifting social values, provides an opportunity to explore possibilities rather than live with limitations imposed by others. Though it is drawn from decades of private practice, activism, and life in the gay community, Odets's work achieves remarkable universality. At its core, Out of the Shadows is driven by his belief that it is time that we act based on who we are and not who others are or who they would want us to be. We--particularly the young--must construct our own paths through life.Out of the Shadows is a necessary, impassioned argument for how and why we must all take hold of our futures.

This heartfelt, deeply personal memoir explores how a celebrated filmmaker and activist and his conservative Mormon mother built bridges across today's great divides--and how our stories hold the power to heal. Dustin Lance Black wrote the Oscar-winning screenplay for Milk and helped overturn California's anti-gay marriage Proposition 8, but as an LGBTQ activist he has unlikely origins--a conservative Mormon household outside San Antonio, Texas. His mother, Anne, was raised in rural Louisiana and contracted polio when she was two years old. She endured brutal surgeries, as well as braces and crutches for life, and was told that she would never have children or a family. Willfully defying expectations, she found salvation in an unlikely faith, raised three rough-and-rowdy boys, and escaped the abuse and violence of two questionably devised Mormon marriages before finding love and an improbable career in the U.S. civil service. By the time Lance came out to his mother at age twenty-one, he was a blue-state young man studying the arts instead of going on his Mormon mission. She derided his sexuality as a sinful choice and was terrified for his future. It may seem like theirs was a house destined to be divided, and at times it was. This story shines light on what it took to remain a family despite such division--a journey that stretched from the steps of the U.S. Supreme Court to the woodsheds of East Texas. In the end, the rifts that have split a nation couldn't end this relationship that defined and inspired their remarkable lives. Mama's Boy is their story. It's a story of the noble quest for a plane higher than politics--a story of family, foundations, turmoil, tragedy, elation, and love.

*UCLA Arts Library.
Transgender Cinema gives readers the big picture of how trans people have been depicted on screen. Beginning with a history of trans tropes in classic Hollywood cinema, from comic drag scenes in Chaplin's The Masquerader to Garbo's androgynous Queen Christina, and from psycho killer queers to The Rocky Horror Picture Show's outrageous queen, it examines a plethora of trans portrayals that subsequently emerged from varied media outlets, including documentary films, television serials, and world cinema. Along the way, it analyzes milestones in trans representation, like The Crying Game, Boys Don't Cry, Hedwig and the Angry Inch, and A Fantastic Woman. As it traces the evolution of trans people onscreen, Transgender Cinema also considers the ongoing controversies sparked by these movies and series both within LGBTQ communities and beyond. Ultimately it reveals how film and television have shaped not only how the general public sees trans people, but also how trans people see themselves.

Social Work Practice with LGBTQIA Populations provides an overview of key issues for social workers working with LGBTQIA clients. Each chapter considers clients' experiences in different social and interpersonal contexts. This text encourages students to think critically about the barriers and discriminations clients might face in their lives and how social workers can be equipped to address these issues. Students are challenged to develop approaches that extend support to these clients and that remove structural barriers that clients face within the systems they encounter. Utilizing intersectionality theory, students will gain an understanding of the risks and protective factors unique to this population in social work contexts.

From experimental shorts and web series to Hollywood blockbusters and feminist porn, the work of African American lesbian filmmakers has made a powerful contribution to film history. But despite its importance, this work has gone largely unacknowledged by cinema historians and cultural critics. Assembling a range of interviews, essays, and conversations, Sisters in the Life tells a full story of African American lesbian media-making spanning three decades. In essays on filmmakers including Angela Robinson, Tina Mabry and Dee Rees; on the making of Cheryl Dunye's The Watermelon Woman (1996); and in interviews with Coquie Hughes, Pamela Jennings, and others, the contributors center the voices of black lesbian media makers while underscoring their artistic influence and reach as well as the communities that support them. Sisters in the Life marks a crucial first step in narrating the history and importance of these compelling yet unsung artists.

In this book, Jaime Harker uncovers a largely forgotten literary renaissance in southern letters. Anchored by a constellation of southern women, the Women in Print movement grew from the queer union of women's liberation, civil rights activism, gay liberation, and print culture. Broadly influential from the 1970s through the 1990s, the Women in Print movement created a network of writers, publishers, bookstores, and readers that fostered a remarkable array of literature. With the freedom that the Women in Print movement inspired, southern lesbian feminists remade southernness as a site of intersectional radicalism, transgressive sexuality, and liberatory space. Including in her study well-known authors--like Dorothy Allison and Alice Walker--as well as overlooked writers, publishers, and editors, Harker reconfigures the southern literary canon and the feminist canon, challenging histories of feminism and queer studies to include the south in a formative role.
*Also available as an ebook (UC only): The Lesbian South

This book explores how the social and technical integration of mainstream social media into gay men's digital cultures since the mid 2000s has played out in the lives of young gay men, looking at how these convergences have influenced more recent iterations of gay men's digital culture. Focusing on platforms such as Gaydar, Facebook, Grindr and Instagram, Cassidy highlights the ways that identity and privacy management issues experienced in this context have helped to generate a culture of participatory reluctance within gay men's digital environments.

Three volumes organized by the three phases of life--youth, middle age, and old age--explore the LGBTQ+ experience, delving deeply into research on a multitude of hot topics including risks experienced by this sometimes targeted population. * More than forty topics in three volumes are timely and in the news * Each topic is evaluated by academic authorities * References are authoritative and include primary resources * Contributors embrace and reflect the diversity found in the LGBTQ+ community.

*At Young Research Library.
Historically, American women have dressed as men for a number of reasons: to enter the military, to travel freely, to commit a criminal act, to marry other women--most often however to secure employment. During the 1800s and early 1900s, most jobs were barred to women, and those that were available to both sexes paid women far less. This book profiles both women who passed as men and were caught--even arrested--and those who successfully masqueraded for years. Whatever the motive, all took part in a common rebellion against an economic and social system that openly discriminated against them.

*At Young Research Library.
We like to think of ourselves as possessing an essential self, a core identity that is who we really are, regardless of where we live, work, or play. But places actually make us much more than we might think, argues Japonica Brown-Saracino in this novel ethnographic study of lesbian, bisexual, and queer individuals in four small cities across the United States. Taking us into communities in Ithaca, New York; San Luis Obispo, California; Greenfield, Massachusetts; and Portland, Maine; Brown-Saracino shows how LBQ migrants craft a unique sense of self that corresponds to their new homes. How Places Make Us demonstrates that sexual identities are responsive to city ecology. Despite the fact that the LBQ residents share many demographic and cultural traits, their approaches to sexual identity politics and to ties with other LBQ individuals and heterosexual residents vary markedly by where they live. Subtly distinct local ecologies shape what it feels like to be a sexual minority, including the degree to which one feels accepted, how many other LBQ individuals one encounters in daily life, and how often a city declares its embrace of difference. In short, city ecology shapes how one "does" LBQ in a specific place. Ultimately, Brown-Saracino shows that there isn't one general way of approaching sexual identity because humans are not only social but fundamentally local creatures. Even in a globalized world, themost personal of questions--who am I?--is in fact answered collectively by the city in which we live.

*At the Arts Library.
Television conveys powerful messages about sexual identities, and popular shows such as Will & Grace, Ellen, Glee, Modern Family, and The Fosters are often credited with building support for gay rights, including marriage equality. At the same time, however, many dismiss TV's portrayal of LGBT characters and issues as "gay for pay"--that is, apolitical and exploitative programming created simply for profit. In The New Gay for Pay, Julia Himberg moves beyond both of these positions to investigate the complex and multifaceted ways that television production participates in constructing sexuality, sexual identities and communities, and sexual politics. Himberg examines the production stories behind explicitly LGBT narratives and characters, studying how industry workers themselves negotiate processes of TV development, production, marketing, and distribution. She interviews workers whose views are rarely heard, including market researchers, public relations experts, media advocacy workers, political campaigners designing strategies for TV messaging, and corporate social responsibility department officers, as well as network executives and producers. Thoroughly analyzing their comments in the light of four key issues--visibility, advocacy, diversity, and equality--Himberg reveals how the practices and belief systems of industry workers generate the conceptions of LGBT sexuality and political change that are portrayed on television. This original approach complicates and broadens our notions about who makes media; how those practitioners operate within media conglomerates; and, perhaps most important, how they contribute to commonsense ideas about sexuality.

This ground-breaking text explores the contemporary history of how psychological research, practice, and theory has engaged with gay and lesbian movements in the United States and beyond, over the last 50 years. Peter Hegarty examines the main strands of research in lesbian and gay psychology that have emerged since the de-pathologizing of homosexuality in the 1970s that followed from the recognition of homophobia and societal prejudice. The author details the expansion of "lesbian and gay psychology" to "LGB" to" LGBT psychology" via its paradigm shifts, legal activism, shifts in policy makers' and mental health professionals' goals in regard to sexual and gender minorities. For the first time, the origins of the concepts, debates, and major research programs that have made up the field of LGBT psychology have been drawn together in a single historical narrative, making this a unique resource. A case is made that psychology has only very lately come to consider the needs and issues of transgender and intersex people, and that LGB paradigms need to be critically interrogated to understand how they can be best brokered to bring about social change for such groups. A Recent History of Lesbian and Gay Psychology will serve as an advanced historical introduction to this field's recent history and current concerns, and will inform both those who have been a part of this history and students who are new to the field.

*At Young Research Library.
Sexual citizenship has become a key concept in the social sciences. It describes the rights and responsibilities of citizens in sexual and intimate life, including debates over equal marriage and women's human rights, as well as shaping thinking about citizenship more generally. But what does it mean in a continually changing political landscape of gender and sexuality? In this timely intervention, Diane Richardson examines the normative underpinnings and varied critiques of sexual citizenship, asking what they mean for its future conceptual and empirical development, as well as for political activism. Clearly written, the book shows how the field of sexuality and citizenship connects to a range of important areas of debate including understandings of nationalism, identity, neoliberalism, equality, governmentality, individualization, colonialism, human rights, globalization and economic justice. Ultimately this book calls for a critical rethink of sexual citizenship. Illustrating her argument with examples drawn from across the globe, Richardson contends that this is essential if scholars want to understand the sexual politics that made the field of sexuality and citizenship studies what it is today, and to enable future analyses of the sexual inequalities that continue to mark the global order.

*At Young Research Library.
The Psychic Life of Racism in Gay Men's Communities engages in the necessarily complex task of mapping out the operations of racialized desire as it circulates among gay men. In exploring such desire, the contributors to this collection consider the intersections of privilege and marginalization in the context of gay men's lives, and in so doing, argue that as much as experiences of discrimination on the basis of sexuality are shared among many gay men, experiences of discrimination within gay communities are equally as common. Focusing specifically on racialization, the contributors offer insight as to how hierarchies, inequalities, and practices of exclusion serve to bolster the central position accorded to certain groups of gay men at the expense of other groups. Considering how racial desire operates within gay communities allows the contributors to connect contemporary struggles for inclusion and recognition with ongoing histories of marginalization and exclusion. The Psychic Life of Racism in Gay Men's Communities is an important intervention that disputes the claim that gay communities are primarily organized around acceptance and homogeneity and instead demonstrates the considerable diversity and ongoing tensions that mark gay men's relationships with one another.

*At Young Research Library.
Grassroots historiography has been essential in shaping American sexual identities in the twentieth century. Retroactivism in the Lesbian Archives examines how lesbian collectives have employed "retroactivist" rhetorics to propel change in present identification and politics. By appropriating and composing versions of the past, these collectives question, challenge, deconstruct, and reinvent historical discourse itself to negotiate and contest lesbian identity. Jean Bessette considers a diverse array of primary sources, including grassroots newsletters, place-based archives, experimental documentary films, and digital video collections, to investigate how retroactivists have revised and replaced dominant accounts of lesbian deviance. Her analysis reveals inventive rhetorical strategies leveraged by these rhetors to belie the alienating, dispersing effects of discourses that painted women with same-sex desire as diseased and criminal. Focusing on the Daughters of Bilitis, the Lesbian Herstory Archives, and the June L. Mazer Archives, and on historiographic filmmakers such as Barbara Hammer and Cheryl Dunye, Bessette argues that these retroactivists composed versions of a queer past that challenged then-present oppressions, joined together provisional communities, and disrupted static definitions and associations of lesbian identity. Retroactivism in the Lesbian Archives issues a challenge to feminist and queer scholars to acknowledge how historiographic rhetoric functions in defining and contesting identities and the historical forces that shape them.

*eBook (UC users only). From the Women in Black vigils and Dyke marches to the Million Mom March, women have seized a dynamic role in early twenty-first century protest. The varied demonstrations--whether about gender, sexuality, war, or other issues--share significant characteristics as space-claiming performances in and of themselves beyond their place in any broader movement. Elizabeth Currans blends feminist, queer, and critical race theory with performance studies, political theory, and geography to explore the outcomes and cultural relevance of public protest. Drawing on observation, interviews, and archival and published sources, Currans shows why and how women utilize public protest as a method of participating in contemporary political and cultural dialogues. She also examines how groups treat public space as an important resource and explains the tactics different women protesters use to claim, transform, and hold it. The result is a passionate and pertinent argument that women-organized demonstrations can offer scholars a path to study the relationship of gender and public space in today's political culture.
*Also available in print at Young Research Library: Marching Dykes, Liberated Sluts, and Concerned Mothers

This book explores, through specific analysis of media representations, personal interviews, and historical research, how the digital environment perpetuates harmful and limiting stereotypes of queerness. Siebler argues that heteronormativity has co-opted queer representations, largely in order to sell goods, surgeries, and lifestyles, reinforcing instead of disrupting the masculine and feminine heterosexual binaries through capitalist consumption. Learning Queer Identity in the Digital Age focuses on different identity populations (gay, lesbian, transgender) and examines the theories (queer, feminist, and media theories) in conjunction with contemporary representations of each identity group. In the twenty-first century, social media, dating sites, social activist sites, and videos/films, are primary educators of social identity. For gay, lesbian, bisexual, transgendered, and transsexual peoples, these digital interactions help shape queer identities and communities.

Imagine your favorite gay uncle sitting you down and explaining everything you ever wondered about gay people. That is Gay, Explained. Written for gay and straight people alike, Gay, Explained leads the reader on a journey that even the most educated may find surprising. Told in a warm and personal style, Gay, Explained weaves together the individual story of a man born Mormon and gay with the wide ranging stories from some of humanity's most fascinating people. It is a history that stretches back to the drawings on cave walls and the stories of the Pharaohs, through the religion and philosophies of Greece and Rome, finds illumination in the art of the Renaissance, and runs up to the headlines of today. Most of these stories predate modern LGBT labels, so they are tales of shamans, priests, amazons, minstrels, two spirits, and global adventurers. From there the book covers science, where researchers find evidence for homosexuality and gender variation throughout the natural world along with genetic and biological origins in human bodies. Despite all the recent political successes, questions remain. Why are some people gay? Is it just a sexual preference, or is there more going on? Why do some people vary around gender, and how is that related to sexuality? And if all of this is so natural, why does homophobia persist across cultures? The answers to these and other questions move the larger discussion beyond mere facts and into the realm of meaning - exploring the purpose of gay people in families, society, and the world. Gay, Explained is therefore an essential resource for parents, teens, friends, teachers, pastors, politicians, and just about everybody else. For every person who has ever thought, "I just don't get gay people," the answers are here. Gay, Explained.

What causes a child to grow up gay or straight? In this book, neuroscientist Simon LeVay summarizes a wealth of scientific evidence that points to one inescapable conclusion: Sexual orientation results primarily from an interaction between genes, sex hormones, and the cells of the developing body and brain. LeVay helped create this field in 1991 with a much-publicized study in Science, where he reported on a difference in the brain structure between gay and straight men. Since then, an entire scientific discipline has sprung up around the quest for a biological explanation of sexual orientation. In this book, LeVay provides a clear explanation of where the science stands today, taking the reader on a whirlwind tour of laboratories that specialize in genetics, endocrinology, neuroscience, cognitive psychology, evolutionary psychology, and family demographics. He describes, for instance, how researchers have manipulated the sex hormone levels of animals during development, causing them to mate preferentially with animals of their own gender. LeVay also reports on the prevalence of homosexual behavior among wild animals, ranging from Graylag geese to the Bonobo chimpanzee. In this revised edition LeVay broadens his horizons. He adds a new chapter on bisexuality, reviews some uncommon forms of sexuality such as asexuality and pedophilia, and considers whether there could be a biological basis for subtypes of gay people such as "butch" and "femme" lesbians. Although many details remain unresolved, the general conclusion is quite clear: A person's sexual orientation arises in large part from biological processes that are already underway before birth.

Rural queer experience is often hidden or ignored, and presumed to be alienating, lacking, and incomplete without connections to a gay culture that exists in an urban elsewhere. Queering the Countryside offers the first comprehensive look at queer desires found in rural America from a genuinely multi-disciplinary perspective. This collection of original essays confronts the assumption that queer desires depend upon urban life for meaning. By considering rural queer life, the contributors challenge readers to explore queer experiences in ways that give greater context and texture to modern practices of identity formation. The book's focus on understudied rural spaces throws into relief the overemphasis of urban locations and structures in the current political and theoretical work on queer sexualities and genders. Queering the Countryside highlights the need to rethink notions of "the closet" and "coming out" and the characterizations of non-urban sexualities and genders as "isolated" and in need of "outreach". Contributors focus on a range of topics--some obvious, some delightfully unexpected; from the legacy of Matthew Shepard, to how heterosexuality is reproduced at the 4-H Club, to a look at sexual encounters at a truck stop, to a queer reading of The Wizard of Oz. A journey into an unexplored slice of life in rural America, Queering the Countryside offers a unique perspective on queer experience in the modern United States and Canada.

Offers a more democratic way to think about families, politics, and public life.

To be taken seriously, therapies that claim to "cure" homosexuality wrap themselves in lab coats. Even though the fit is bad, and such therapies and their theorists now inhabit the scientific fringe, the science of sexuality has made some adjustments, too, Tom Waidzunas tells us in this provocative work. Intervening in the politics of sexuality and science, The Straight Line argues that scientific definitions of sexual orientation do not merely reflect the results of investigations into human nature, but rather emerge through a process of social negotiation between opposing groups. The demedicalization of homosexuality and the discrediting of reparative therapies, ex-gay ministries, and reorientation research have, Waidzunas contends, required scientists to enforce key boundaries around scientific expertise and research methods. Drawing on extensive participant observation at conferences for ex-gays, reorientation therapists, mainstream psychologists, and survivors of ex-gay therapy, as well as interviews with experts and activists, The Straight Line traces reorientation debates in the United States from the 1950s to the present, following homosexuality therapies from the mainstream to the margins. As the ex-gay movement has become increasingly transnational in recent years, Waidzunas turns to Uganda, where ideas about the scientific nature of homosexuality influenced the passage of the Anti-Homosexuality Act of 2014. While most studies treat the ex-gay movement as a religious phenomenon, this book looks at how the movement, in its attempts to establish legitimacy, has engaged with scientific institutions, shaping virulent anti-gay public policy.

This book draws on interviews with women who left relationships with women to begin relationships with men, and uncovers how the women make sense of who they are. The women who leave female partners to begin relationships with male partners have the capacity to redefine their sexual identity. They can essentially call themselves whatever they want. However, their capacity for such a creative process is limited. In the process of framing their decision in a way that renders their claim to a stable identity legitimate, the women communicate their understandings of notions of identity, community, and belonging. The women also show a nuanced regard for sexual categories. They stretch the boundaries of some categories, while preserving and even policing the boundaries of other categories. This book is in no way an ex-gay narrative. It is entirely the voices of feminist, queer women who find themselves viewed by society as heterosexual, but who themselves, with two exceptions, do not identify as such. This book is a rich collection of wonderfully human stories about what it means to be true to oneself.
*At Young Research Library and Powell Library.

*At Young Research Library.
Critical Articulations of Race, Gender, and Sexual Orientation engages scholarly essays, poems, and creative writings that examine the meanings of race, gender, and sexual orientation as interlocking systems of oppression. Each chapter in this volume critically, yet creatively, interrogates the notion of identity as socially constructed, yet interconnected and shaped by cultural associations, expanding on the idea that we as individuals live in an identity matrix--our self-concept, experiences, and interpretations originate or are developed from the culture in which we are embedded. The shaping of an individual's identity, communication, and worldview can be read, shaped, and understood through life, art, popular culture, mass media, and cross-cultural interactions, among other things. The aptness of this work lies in its ability to provide a meaningful and creative space to analyze identity and identity politics, highlighting the complexities of identity formation in the twenty-first century.

This well-crafted family memoir is about the stories that are told and the ones that are not told, and about the ways the meanings of the stories change down the generations. It is about memory and the spaces between memories, and about alienation and reconciliation. All of Amy Hoffman's grandparents came to the United States during the early twentieth century from areas in Poland and Russia that are now Belarus and Ukraine. Like millions of immigrants, they left their homes because of hopeless poverty, looking for better lives or at the least a chance of survival. Because of the luck, hard work, and resourcefulness of the earlier generations, Hoffman and her five siblings grew up in a middle-class home, healthy, well fed, and well educated. An American success story? Not quite - or at least not quite the standard version. Hoffman's research in the Ellis Island archives along with interviews with family members reveal that the real lives of these relatives were far more complicated and interesting than their documents might suggest. Hoffman and her siblings grew up as observant Jews in a heavily Catholic New Jersey suburb, as political progressives in a town full of Republicans, as readers in a school full of football players and their fans. As a young lesbian, she distanced herself from her parents, who didn't understand her choice, and from the Jewish community, with its organization around family and unquestioning Zionism. However, both she and her parents changed and evolved, and by the end of this engaging narrative, they have come to new understandings, of themselves and one another.

Chapters by Williams Institute Scholars Gary J. Gates, Ilan H. Meyer, and Bianca D.M. Wilson.

At Young Research Library.
*Also ebook (UC users): Ethics, Sexual Orientation, and Choices About Children

At College Library.

At Young Research Library and College Library. Also available online.

*At Biomed Library and College Library.

*At Young Research Library; also available electronically: Queer Science (restricted to UC Campuses).

Williams Reading Room has 1978 & 1979 editions.

Williams Reading Room has 1972 edition; Amazon links to 1982 edition.

*Also eBook (UC users): Sexual Behavior in the Human Female
Sexual Behavior in the Human Female was originally published in 1953, five years after the male volume. The material presented in this book was derived from personal interviews with nearly 6,000 women and from studies in sexual anatomy, physiology, psychology, and endocrinology. The book presents data on the incidence and frequency with which women participate in various types of sexual activity. The authors show how factors such as age, decade of birth, and religious adherence are reflected in patterns of sexual behavior. Some measure of the social significance of the various types of sexual behavior is provided. The authors make comparisons of female and male sexual activities and investigate the factors which account for the similarities and differences between female and male patterns of behavior.

*Also eBook (UC users): Sexual Behavior in the Human Male
When published in 1948 this volume encountered a storm of condemnation and acclaim. It is, however, a milestone on the path toward a scientific approach to the understanding of human sexual behavior. Dr. Alfred C. Kinsey and his fellow researchers sought to accumulate an objective body of facts regarding sex. They employed first hand interviews to gather this data. This volume is based upon histories of approximately 5,300 males which were collected during a fifteen year period. This text describes the methodology, sampling, coding, interviewing, statistical analyses, and then examines factors and sources of sexual outlet.